Exceptionally well crafted and laden with characters so fleshed out I half expected them to step out from the big screen into my living room at any minute!

The cinematography and iconic shots such as Rhett Butler standing at the foot of the grand staircase gazing up at Scarlet O'Hara with a come hither look that could melt even the coldest of hearts and cause all the ladies to sigh and go weak in the knees!

Rhett Butler (Clark Gable) met is match when he crossed paths with Scarlett O'Hara ( Vivien Leigh)! Their tale of love, passion and heartache will go down in the annals of history as one of the greatest romances in cinematic history!

The film is…

**Part of the Best Picture**

Few films, if any, accomplish technical excellence, and it’s not hard to see why. Many films, even good ones, have some flaws that keep them from perfection. So it really amazes me that a film like Gone with the Wind with the production history it had managed to be just so damn perfect. There isn’t a thing wrong with it. It is a master class lesson in nearly everything that makes up cinema, and what amazes me even more is how the sheer epic nature of the film holds up even today.

Until this watch, I had not seen Gone with The Wind since I was very young, and my grandmother took me to see…

Okay, I know it's a cliché to consider this among the greatest 1930s movies made, but it's nearly impossible not to be impressed with David O. Selznick pulling off a monster epic of such proportions as Gone with the Wind (1939)!

Visually this was sensational! Such style in every frame. Poetic, classy, haunting and with such color. Those red nights are magical. A masterful job capturing the beauty of the south.

Clark Gable is Rhett! No more needed to be said. A career high, unable to top! Vivien Leigh gets the big part and grabs the chance with both arms and more. An tremendous display rarely ever seen! Clicks perfectly and awards her the Oscar! As her opposite Olivia de…

Film #26 of Project 30

”After all, tomorrow is another day.”

Stories set in war time always offer great drama and character development, passing of time and the changes it brings to the moral values of society and individuals provides writers and film makers with a great chance to study some of the basic principles of life: unfaltering love affected by the tumultuous nature of events, hope for a better future, sacrifice, dismay, misfortune and regret and the most heart-warming of all, determination to bounce back and recreate the glory and power of the past despite all the difficulties ahead.

It is that thematic richness of the life story of Scarlett O'Hara that has enabled Gone with the Wind to…

"Frankly, my dear, I don't give a damn". I love that line.

The story is about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel),…

Magnificent. Terrible. A living contradiction. Gone with the Wind is a spectacle born from a long and troubled production. It features one of Hollywood's most classic heroines—a self-made woman, one who stops at nothing to achieve power but never loses her raw emotional authenticity—yet it is steeped in out-dated gender roles and blatant sexism. Its greater offense, perhaps, is its depiction of horrible racial stereotypes—Mammy and the other servants playing "Uncle Tom"-types—but the very role of Mammy allowed Hattie McDaniel to depict on the silver screen an African American woman who was loving, witty and brave, earning the first Oscar ever presented to an African American and paving the way for better roles for people of color.

These contradictions are…