Dear Silent Dawn/All of Letterboxd.

I deeply apologize for not seeing this film until today even though I'm only seventeen. I should have seen this when I was first born. I need to stop making excuses. This movie is as good as you've heard and maybe even better. I love Gangster stories and movies like this, so how have I not seen this until now? The fuck is wrong with me?

Everyone is fucking brilliant. Holy shit, so much great acting across the board. With fantastic dialogue as well. Each frame is perfectly placed for the scene and every scene has a meaning towards forwarding the story and characters.

Fuck, I want to have sex with this movie's soundtrack. I…

100/100

Had to give the "new" Blu-ray (from a 4K scan!) a spin, and it's as impossibly gorgeous as can be, enriching the murky, glorified details and cranking all the exhilaration and eventual paranoia up to 11. Even though I've seen this around 20-30 times at this point, I still get dizzy from all the detail; an entire world built up and thriving through soda pop nostalgia and the eventual nervousness of violence. Scorsese's attuned style commits fully to every aspect of the production, but it is in the strange, banal moments where his genius fully shines. Although it may be glorification in terms of technique, Goodfellas never romanticizes its band of characters or its almost Herculean setting, instead exposing…

An operatic descent into paranoia, a gorgeous soda-pop evocation of a seductive and vibrant world, a character study of despicable but human individuals, and a study of a changing criminal landscape; Martin Scorsese's Goodfellas is arguably his masterpiece, and It's a perfect example of Scorsese's exceptional style and his fascination with flawed people. With a never-ending rhythm of pop anthems that highlight, boost, and crank the infectious energy up to an almost obtainable level, this magnum opus grooves and flows like mercury that just ran out of a broken thermometer. Ray Liotta, Robert De Niro, and Joe Pesci are three of the worst individuals that have been portrayed in the history of cinema, and yet, they're utterly breathtaking in their…

I decided to give Scorcese's film another go and while I still appreciate the skill involved I just cannot get myself to like this film.

The problem is that in a film full of antagonists the audience always loses. This film doesn't make me care for a single character and that completely takes me out of it. It turns me from a spectator into a passerby.

The story arch is fine and it is told with Scorcese's usual skill. Most performances are excellent and engaging, but I just keep coming back to the fact that I need a protagonists I can root for in a story like this. Our supposed hero, the way he's written, is simply not a character…

My favourite Martin Scorsese film, "Goodfellas" is a brilliant journey through the mafia underworld with no attempt at romanticising the gangster's life. Featuring one of the best screenplays ever put to film, Scorsese grabs our interest from the first second. This is a movie where the narration is key to bringing us into the life of Henry Hill, but it's never used as shorthand. By the end of the movie, we feel like we know every participant. Thanks to superb cutting from Thelma Schoonmaker, "Goodfellas" flows magnificently and every music cue is perfectly chosen to match the mood.

"Goodfellas" is also an extremely violent film, showing how cold bloodily these gangsters murder anyone who gets in their way or even…