Synopsis
There can be only one.
He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.
1986 Directed by Russell Mulcahy
He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.
Christopher Lambert Roxanne Hart Clancy Brown Sean Connery Beatie Edney Alan North Jon Polito Sheila Gish Hugh Quarshie Peter Diamond Billy Hartman James Cosmo Celia Imrie Christopher Malcolm Frank Dux Ian Reddington Alistair Findlay Edward Wiley John Cassady Sion Tudor Owen Damien Leake Gordon Sterne Ron Berglas Louis Guss Peter Banks Ted Maynard Waldo Roeg Anthony Mannino Helena Stevens Show All…
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I love
Christopher Lambert's brooding eyes and wicked smile
the clumsy but epic fight scenes
Sean fucking Connery
that music. Fuck I miss Queen.
the complete absence of convincing Scottish accents. Bar Mr. Connery's of course. But he's playing an Egyptian Spaniard or something
the fact that it is historically more accurate than Braveheart
that one of the nastiest and creepiest villains ever is played by a guy named Clancy
how it takes time to build its mythology without outstaying its welcome at any time
that no matter how many shitty sequels you throw at it, it only proves there really can be only one
Another movie, another metaphor for having gay sex and being gay.
Lots of great 1980s NYC in this one.
Update: been thinking a lot about how tight Christopher Lambert's jeans, sneakers, and trench coat fit is in this one.
Still a fun terrible movie.
Christopher Lambert can't act - at all.
Sean Connery gives his most ethnically perplexing role of his career.
Mr. Krabs is Insane.
And everything is so bad, but so funny.
The immortal Connor MacLeod (Luke Skywalker) begins life as a normal chap in 16th century Scotland, but is cast out of his village under suspicion of devilry when he miraculously recovers from an obviously fatal battle wound.
Sean Connery stars as Ramiraz (Ben Kenobe), and trains the young highlander (Jedi) in the art of swordplay and use of The Quickening (The Force).
A tall warrior in black with a breathing problem (caused by an injury sustained in battle with Ramiraz), named (Darth) Victor Kruger mysteriously turns out not to be Connor's dad. Kruger relentlessly pursues and kills all the other Jedi until only he and the Highlander remain.
In New York, 1986, the two remaining warriors face a climactic battle…
Still arguably the dorkiest movie ever made, and I love every second of it. Everything is epic and clumsy in equal measure, with god level coke nose visual panache from Mulcahy. Yet the strangest thing to me will always be having Connery play an Egyptian in a movie that has huge chunks that literally take place in Scotland. Just astoundingly goofy. But the whole shebang belongs to Clancy Brown, who is so outlandishly committed to the Kurgen that he rivals Arnold in THE TERMINATOR in terms of sheer cartoonish villainy. An all-timer comic book heavy in a picture that isn’t remotely related to existing IP. Try and imagine any studio making something this sincerely weird today. It’s impossible.
I still love this and still can’t figure out what the fuck Christopher Lambert is going for.
I’ve seen this a million times and I have no original thoughts on it so here I’ll just note that the recent 4K transfer looks great except for a single scene where, it seems, they didn’t have high quality footage to use.
Also happy to report that this is the director’s cut, which contains a great scene where Christopher Lambert shoots the shit out of a Nazi.
An essential 80s cheese-fest. Queen's soundtrack absolutely slaps, Clancy Brown steals the movie with his creepy and odd portrayal of The Kurgen and it's just overall a fun and original idea that sadly was made lesser by the sequels that came after it. Russell Mulcahy really brings the bangers and throws in his music video filming experience into his filmography with some incredible shots and unique editing. Besides, who doesn't wanna see multiple decapitations and sword fights in the streets of New York City? I KNOW I DO!!!
🏴🇪🇸⛰🤼♂️🤺💀⚔🧀
Better than I remembered. At the very least this is an extremely well-shot movie -- with an almost impossibly nimble camera manned by cinematographer Gerry Fisher. The camera is always moving; often with these distorted fish-eye lenses. The frame is filled with smoke and mist; it's a very appealing world.
I think HIGHLANDER might be the movie version of LOST -- this really appealing and mysterious mythology that gets less and less interesting the more you explain it. If you divorce yourself from what you know about the franchise, and watch the first thirty minutes of this movie as if you were a total neophyte to the series, it's pretty incredible. It's this fascinatingly strange story: a man in the…
It's really quite an incredible movie, rich fuel for the imagination and as Freddy Mercury sings, "Who wants to live forever?" we raise our hands (and our glasses, and our lighters). The clever storyline that ends because "There can be only one" made every sequel completely pointless no matter how much everyone wanted more. This is one and done, perfectly self-contained in a way that no movie is anymore, now that we must milk every idea for all the sequels, TV series, and spinoffs possible. Leave threads open for every storyline, just in case. Not here. How refreshing. But while I still love 90% of the movie, just like I always have, the "I raped your woman to get you"…