Synopsis
A legacy worth killing for.
The true story of how Patrizia Reggiani plotted to kill her husband Maurizio Gucci, the grandson of renowned fashion designer Guccio Gucci.
2021 Directed by Ridley Scott
The true story of how Patrizia Reggiani plotted to kill her husband Maurizio Gucci, the grandson of renowned fashion designer Guccio Gucci.
Lady Gaga Adam Driver Jared Leto Jeremy Irons Al Pacino Salma Hayek Jack Huston Camille Cottin Reeve Carney Mădălina Diana Ghenea Youssef Kerkour Florence Andrews Mia McGovern Zaini Vincent Riotta Eva Moore Mehdi Nebbou Andrea Piedimonte Bodini Edouard Philipponnat Bianca Nappi Gianpiero Pumo Livio Beshir Miloud Mourad Benamara Mario Opinato Luca Chikovani Andrea Bruschi Dante Alba Alexia Murray Johanna Santos Gaetano Bruno Show All…
Ridley Scott Mark Huffam Giannina Facio Marco Valerio Pugini Megan Ellison Aaron L. Gilbert Kevin J. Walsh Jason Cloth Aidan Elliott
Saverio Sammali Gianpaolo Rifino Massimo Pauletto Cristina Onori Silvia Colafranceschi Dario Nolé Claudia Granucci
Gucci, The House of Gucci, Dom Gucci, Gucci:豪門謀殺案, 古馳家族, GUCCI名門望族, La Casa Gucci, Дом Гуччи, Casa Gucci, Guči nams, เฮาส์ ออฟ กุชชี่, خاندان گوچی
Epic history and literature Relationship comedy Moving relationship stories historical, royalty, sumptuous, lavish or drama romance, charming, comedy, delightful or witty marriage, drama, family, emotional or emotion marriage, emotion, romance, feelings or relationships biography, artists, musician, emotional or songs Show All…
i am simply thinking about:
1) al pacino’s entrance in the film is that he is looking at a tabloid photo of adam driver and lady gaga and he says, “whaaaat is thiiIIiissss”
2) a character alive, saying a thing, cut to IMMEDIATELY, that character dead in casket alskdks it made me laugh
3) lady gaga really hamming it up sucking on a spoon she used to stir her coffee
so silly, somehow adam driver is the least unhinged person in this movie, it’s exactly the vibe i wanted it to be, and i learned during the q&a that apparently al pacino was hanging on set when jared leto approached in full paolo prosthetics, method acting, and said “papa?” and al pacino thought he was a stalker.
patrizia: can i have a drink please
maurizio: do you know who i am? im maurizio gucci
patrizia: ok maurizio gucci can i have a drink please
genuinely hilarious, and knowingly hilarious i think too, until around the halfway point where it suddenly remembers it’s supposed to be a serious prestige crime saga biography and asks us to do the impossible: engage with jared leto and lady gaga’s performances emotionally. instead of trying to go the knock-off scorsese route i wish instead it just fully committed to its caricatures and doubled-down on the family corporate backstabbing as moronic farce. pacino, irons and driver are quite good at walking the line between the two films but are also kind of underserved by how surprisingly disinterested in the fashion world the film is narratively/stylistically and how confused it becomes trying to juggle this many characters over such a long…