I cry everytime I see the video of her landing the triple axel.

That's truly who Tonya was. She wasn't the evil villain to America's twisted story of fame, nor was she a redneck, a hillbilly, or a white trash girl with no education. She was that triple axel. She was the buildup to it, and the falling out after it. She was the doubt, the inspiration, and the feeling everyone across the world had when she landed it. After the triple axel, she was everything.

She never wanted to be anything but the best. And who can blame her? She was the image of the American dream, from beginning to end. She was what the people wanted her to…

Director Craig Gillespie has a habit of turning a bad pitch into a good movie. Lars and the Real Girl, a story about a man who falls in love with a life-size doll, sounds awful on paper. So does a remake of Fright Night. And so does a movie about the infamous Tonya Harding.

Even though I'm an Oregonian (Sco Ducks!), I didn't know much about the Tonya Harding case going into the movie. My only information was from my mom, who said that Tonya was a figure skater who personally busted a woman's knees herself, and that she hopes that Tonya will get no money from this "disgusting" movie. Obviously, that's not the truth. But at the same time,…

"All publicity is good publicity"........yeah, ok sure.

Though the linear to non linear story telling can take me out of the film at times and change my emotional perspective, I'd be dammed if this wasn't a great movie.
This couldn't have been made at a better time. As we live in a world where everything is public and someone can easily become famous over night. And because of that the strappings that come with fame couldn't have been better shown here.

Besides Willem Dafoe and the little girl that played Moonie in The Florida Project, I would say that Margot Robbie and Sebastian Stan gave the best performances of 2017. Stan's Protrayal of Jeff comes off so sympathetic to the…

I, Tonya was a very refreshing biopic. I have grown bored of biographical films, simply put. There has been an abundance of annoyingly decent films of this genre, so when a great one comes along, I’m very pleased.

I think that I, Tonya was great. There is more comparability to Spinal Tapp and Best In Show to your usual selection of non-fiction films. The constant fourth-wall breaks, the exaggeration of the truth... I liked the craziness.

I also found the film very funny. There are sharp bursts of wit scattered sporadically around the film in many dark and wonderful ways. A lot of this humour is found in the faux interviews, which use a clever blend of dramatic irony-type naivety…