2021 Directed by Antoine Fuqua
Evan McCauley has skills he never learned and memories of places he has never visited. Self-medicated and on the brink of a mental breakdown, a secret group that call themselves “Infinites” come to his rescue, revealing that his memories are real.
Mark Wahlberg Chiwetel Ejiofor Sophie Cookson Dylan O'Brien Toby Jones Jason Mantzoukas Rupert Friend Jóhannes Haukur Jóhannesson Liz Carr Kae Alexander Tom Hughes Joana Ribeiro Wallis Day Alicia Charles Mark Fleischmann Lloyd Griffith Jack Roth Leon Annor Nabil Elouahabi Jumayn Hunter Melissa Neal Chris Gordon Edward Wolstenholme Oliver Parsons Raffiella Chapman Giorgia Seminara Alexandra Afryea Jordan A. Nash Alistair Benson Show All…
Lorenzo Di Bonaventura Mark Huffam Mark Wahlberg Mark Vahradian Stephen Levinson Kat Samick Janine Modder Max Keene John Zaozirny
Julian Ashby Roxana Alexandru John Frankish Ben Munro Sue Whitaker David Doran Jonathan Houlding Daniel Swingler William Smith Jane Harwood Renate Nicolaisen Kate Suzanne Hunter Petra Balogh Daniel Nussbaumer Oliver Williams
Stuart Lashley Rhonda C. Gunner Pete Bebb Lee F. Sullivan Sara Khangaroot Preeya Kalidas Scott McInnes Michael D'Sa Jamie Hearing Shailesh Chibire Alexandra Magocsi
Simon Crane Nina Armstrong Rachelle Beinart Gary Powell Yang Liang Maria Hippolyte Sina Ali Carly Michaels Katy Bullock Venice Smith Amy Clare Beales Rubie Planson Alli Ryan Aurélia Agel Nikki Powell Nikita Mitchell Jessica Hawkins
Gary Dodkin Dan O'Connell Hamilton Sterling John T. Cucci Daniel J. Leahy Steve Pederson David Esparza Mandell Winter Will Digby Eryne Prine Jack Cucci Tavish Grade
Sonsuz, Les Infinis, Infinito 2021, Infinite - Lebe Unendlich, Infinito, 无限, 無穹迴役
High speed and special ops Epic heroes Monsters, aliens, sci-fi and the apocalypse action, explosives, exciting, action-packed or villain future, sci-fi, technology, action or technological car, action, cars, adrenaline or driving martial arts, kung fu, choreography, cool or action-packed action, villain, superhero, hero or action-packed Show All…
Rumor has it that Antoine Fuqua and Mark Wahlberg were caught off guard — and understandably pissed — when Paramount announced that it was scuttling the planned theatrical release of the “Shooter” duo’s new action movie, and debuting it instead on Paramount+, an embryonic streaming platform that currently seems to have more episodes of “The Office” than it does paid subscribers. In hindsight, Fuqua and Wahlberg might come to see this bit of COVID-era corporate synergy as a blessing in disguise: At least they’ll have a good excuse when no one remembers “Infinite” in three months. Or six weeks. Or tomorrow.
That may sound harsh, but in some respects it may not be harsh enough. For one thing, it really…
Someone decided to spend tens of millions (hundreds of millions?) of dollars on this and it is not remotely clear why based on the finished product. This movie made me as bored as Mark Wahlberg looks in every single scene.
Incoherent fodder that just gets worse as it goes. The kind of slop that has an interesting premise but lacks the stones to do anything about it… plus mark wahlburger is an expressionless garbage dump of a human and even he seems uninterested in this paycheck movie. Outside of a few offerings I can’t really say I’m a fan of Antoine Fuqua movies or his style, Bummer. This is an idiot dumbo hokey sci-fart action movie done better decades ago that content starved snarksters will convince themselves to like. Or maybe they won’t, I dunno, but this thing was not for me at all.
This is the equivalent of waking up and racing to the bathroom only to have the piss dribble out of you as you let out a long semi painful sigh. This movie is like if a fart could fuck grief. This movie is vehicular manslaughter on a dark road in Texas.
I hated it.
Es ist wirklich irre, wenn man bedenkt, wie faul und dümmlich das Drehbuch von „Infinite“ ist, was…damit immerhin zur Performance des Hauptdarstellers passt, aber dazu gleich mehr. Antoine Fuqua scheint auf die eher alberne Prämisse (spezielle Menschen werden immer wieder geboren und erinnern sich an frühere Leben) aber schlicht und ergreifend keinen Bock gehabt zu haben.
Was mit einem unmotivierten VoiceOver beginnt („Es ist das Jahr Schnarchtausendundgähhn..“), ergeht sich danach rund 70 Minuten in Schuss-Gegenschuss-Drögerie nahe der Gehirnschlaggrenze, in denen sich Charaktere pausenlos Exposition ins Gesicht aufsagen, als wäre Tag der offenen Tür im Finanzamt. Ohne jedweden Esprit und, schlimmer, ohne irgendwas davon zu zeigen, werden Texte heruntergerattert, die himmelschreiend schwachsinnig sind.
Es gibt da zum Beispiel diese Waffe, den…
this shit legit pisses me off, hollywood really thinks that we're all huge dumbasses who have never seen another film and will believe that this rip-off nonsense is anything but just a bunch of lazy scriptwriters going 'what if we remade highlander again but this time with no style at all, no cool fights, no awesome music and starring a practically comatose mark wahlberg?'. literally no one asked for this toothless PG-13 wannabe superhero gunk, fuck off with this shit. deserves to be entirely consigned to the growing void of forgotten streaming service originals.
🚫42%
YouTube review - Click HERE
2021 list - Click HERE
A man discovers that his hallucinations are actually visions from past lives.
Mark Wahlberg stars in this new Fuqua feature that (purposely) flew completely under the radar. It was kind of dumped onto Paramount+ at the last second. From exploring reincarnation to numerous car chases, this movie has everything except for a competent script. The plot feels too simple, but at the same time, there are numerous questions after it ends. The action is actually solid, and the effects are on point, but most of these scenes add nothing to the plot itself. Wahlberg is on a mission to discover himself and realize that these dreams he is having are not dreams…
Mark Wahlberg takes time out of his busy schedule of being both bizarrely well paid and 'from Boston' to look impressively uninterested in this utter drivel.
Replace him with the film's criminally underused Dylan O'Brien and this could have been infinitely better.
I was going to write something quite eloquent about the atrocities committed here, but I will keep it succinct just this one time:
What a goddamn boringly bad mess that squandered any hopes of being anywhere close to decent with its mildly interesting premise as Mark Wahlberg's mechanical voice over started in the opening ten seconds and took us right down the steps into Bloated Blockbuster Movie Hell.
