Synopsis
A woman in trouble
An actress's perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
2006 Directed by David Lynch
An actress's perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
Laura Dern Jeremy Irons Justin Theroux Harry Dean Stanton Karolina Gruszka Peter J. Lucas Krzysztof Majchrzak Jan Hencz Grace Zabriskie William H. Macy Ian Abercrombie Amanda Foreman Cameron Daddo Neil Dickson Diane Ladd Stanislaw Kazimierz Cybulski Henryka Cybulski Julia Ormond Jordan Ladd Terryn Westbrook Kristen Kerr Mary Steenburgen Masuimi Max Robert Charles Hunter Terry Crews Nastassja Kinski Laura Harring Scott Coffey Naomi Watts Show All…
Laura Dern David Lynch Mary Sweeney Jeremy Alter Kazimierz Suwala Erik Crary Janusz Hetman Michal Stopowski
Внутренняя империя, Inland Empire – Eine Frau in Schwierigkeiten, L’impero della mente, 內陸帝國, INLAND EMPIRE, Inland Empire – L’impero della mente, The Green Room in Lodz, 인랜드 엠파이어, Império dos Sonhos, Инланд Емпайър, אינלנד אמפייר, Inland Empire - L'impero della mente, インランド・エンパイア, შინაგანი იმპერია, Внутрішня імперія, 内陆帝国
Humanity and the world around us Intense violence and sexual transgression Horror, the undead and monster classics horror, creepy, eerie, blood or gothic death, profound, symbolism, philosophical or vision weird, surreal, bizarre, dream or confusing sex, sexual, relationships, erotic or sensual scary, horror, creepy, supernatural or frighten Show All…
i feel like david lynch is directing my life because nothing makes any fucking sense
Lynch on frequent collaborator Dean Hurley in the DVD special features: "I really don't like Dean as a person but he's a fantastic sound man."
"I'm trying to tell you so's you'll understand how it went. The thing is, I don't know what was before or after. I don't know what happened first, and it's kinda laid a mindfuck on me."
Inland Empire is the most experimental and nonlinear of David Lynch's already experimental and nonlinear body of work. The fact that the most popular review of it here on LB at the moment is just a question mark says a lot about how accessible it is (i.e. not at all). The easiest way to describe it is as a movie about an actress who takes a role that makes her begin to question and then eventually lose her sense of the difference between performance…
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i am laura dern looking confused for three hours. i am also harry dean stanton showing up for ten minutes just to say that he likes dogs and to steal money from anyone he could
Lynch's celluloid films have always had a velvety, clear vision at odds with the haziness of their contents. Inland Empire flips that by using low-grade digital to create the smeary, incoherent, oneiric look that his movies always achieved tonally. Rewatching this film after the last few Malick movies, I see some parallels: for all the incomprehensible montage and jump cuts and half-articulated ideas and plots, the core of the movie is nothing but cliché. We have Hollywood as evil, actress/character persona swap, abuse, the many ways in which men prey upon women (including directing them, foregrounding one of the most common early critiques lobbed against Lynch himself).
But what emerges is a bold refraction of these tropes and topics into…
Visual representation of me watching Inland Empire:
(^-^)
(<_<)
(>.<)
(o_O)
(@_@)
(-_-)
Guess this wasn't for me.....
Saw the premiere of the restoration at IFC. My IQ dropped to zero. Packed house and after everyone filed out of the theater I continued to walk at “200 people leaving a theater at once through one door” speed for like 4 blocks before realizing I didn’t know where I was going I had just started walking in a random direction.