Insomnia is a remake of the Norwegian film that came out in 1997 and while it shares the exact same plot, I thought Christopher Nolan made a well-crafted psychological thriller with some solid performances. I don’t usually approve remakes that try to emulate the story of the original without bringing anything new, but I haven’t seen the Norwegian version so I can’t compare them. While it might seem like a predictable and generic detective film at first, once the little twist happens we are drawn into a very interesting confrontation between the killer and one of the detectives. The hallucinatory sequences get a bit repetitive, but I appreciate the technical prowess shown there. The moral conflicts lived by Will Dormer…

Christopher Nolan's first stint with a major Hollywood studio is a remake of the Norwegian thriller of the same name and is termed by many critics to be one of the rare instances of an American remake done right. I haven't seen the original so I can't compare the two but one can make out that it tries to create its own identity instead of following the same footsteps.

The story of Insomnia concerns Will Dormer; a Los Angeles homicide detective who, along with another detective, is dispatched to a small Alaskan town to investigate the methodical murder of a local teen. When an attempt to apprehend the suspect results in a tragic incident, things soon turn worse for Will…

Christopher Nolan's "Insomnia" is a vividly rendered, sharply directed, and skillfully performed crime thriller. Observing characters trapped in moral, mental, and physical fogs, the film is both patient and urgent. Exciting and textured, Nolan's remake of an earlier Norwegian film is a highly satisfying piece of work.

Revolving around the investigation of a murder that occurred in a remote town in Alaska, the film follows as Al Pacino's weary, big-city detective is brought aboard to assist with the case. Falling victim to an environment where the sun rarely sets, the detective finds himself mentally and physically slipping. As the case moves to its conclusion, fatal mistakes are made, secrets are set, and perpetrators are uncovered. A morality play, mystery, and…

Insomnia, somewhat of an outlier in Nolan's filmography, tells a smaller story; more contained and isolated. It's noir with the lights on, set in a small Alaskan town where the sun never goes down, and sleep is a luxury not all can afford. Nolan's usage of this small detail is great, as much of the film toys with Pacino's inability to rest; an obvious result/metaphor of his conflicted mindset. He's a man at a crossroads, a hero grappling with the eventual tarnishing of his reputation. Pacino plays his part wonderfully, because the character; his mannerisms and personality feel very Pacino in essence. He's very at home in this role. This extends as well to Robin Williams, who is wonderful as…

It's funny to think that acclaimed legend Christopher Nolan would have anything underrated in his filmography, but here we are, Insomnia is just as great as his later epics. It's led brilliantly by Al Pacino, in what would be his last great performance before his recent resurgence with HBO and back to back requiems to the era of hollywood he represents.

True to Nolan form it's a very simple trope subversion. What would a film noir look like in a place where there's no night. Nolan uses the Alaskan location and the perpetual daylight brilliantly. Asking us whether Pacino's Detective Will Dormer would still be able to get a good night's sleep in any other part of the world, or…