Synopsis
You know his name
The most dangerous former operative of the CIA is drawn out of hiding to uncover hidden truths about his past.
2016 Directed by Paul Greengrass
The most dangerous former operative of the CIA is drawn out of hiding to uncover hidden truths about his past.
Matt Damon Tommy Lee Jones Alicia Vikander Vincent Cassel Julia Stiles Riz Ahmed Joe Kennard Amy De Bhrún Ato Essandoh Scott Shepherd Bill Camp Vinzenz Kiefer Stephen Kunken Ben Stylianou Kaya Yuzuki Matthew O'Neill Lizzie Phillips Paris Stangl Gregg Henry Matt Blair Akie Kotabe Robin Crouch Miguel Alves-Khan Robert Stanton Duran Fulton Brown Charles Jarman Jay Vincent Diaz Richard Nunez Sonny Robertson Show All…
Peter Field Henry Tirl Christopher TJ McGuire Oliver Loncraine Onofrio Nino Pansini Josh Medak Stamos Triantafyllos Oliver Driscoll
Mark Scruton Cornelia Ott Paul Inglis Caty Maxey Joe Howard Paul Laugier Choi Ho Man Oliver Benson Adam Squires John J. Rutchland III Amanda Dazely
Melinka Thompson-Godoy Daniel Barrow Adam Rowland Charlie Noble David Vickery Sean Stranks Shailendra Swarnkar Geraint Hixson Josie Henwood Marcin Kolendo
Erik Stabenau Terry Leonard Jeffrey J. Dashnaw Chris Palermo Melissa R. Stubbs Jennifer Caputo Clay Cullen Jason Rodriguez Sophia M. Crawford Shawn Patrick Lane John C. Meier Anthony Molinari Theo Kypri Helena Barrett Phil Culotta Jennifer Elizabeth Brian Duffy Alice Rietveld Terry Jackson Adam Horton Tony Snegoff Mickey Giacomazzi Larry Rippenkroeger John Dixon Teodor Tsolov Sarah Armstrong Gary Powell Thom Williams Daniel Leavitt Lane Leavitt Mark Fichera Joel Michael Kramer Gary Hoptrough Mark Aaron Wagner Jean-Charles Rousseau Allan Padelford Ricardo Rocca Jeremy Fry Lee Millham Eric Linden Richard Burden Veselin Troyanov Sabine Varnes Alisa Hensley Alli Beckman Tolga Kenan Tom Harper Mark Archer Katy Bullock Vasil Simeonov Joanna Shelmidine Rick Miller Luci Romberg Jani D. Davis Scott Wordham Nikki Powell Marc Mailley
Hugo Adams James Harrison Michael Fentum Jason Swanscott Chris Burdon Mark Taylor Jack Stew Andrea King Oliver Tarney Dawn Gough
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review of JASON BOURNE, as written in the film’s shaky-cam style:
it’s
[phone rings!]
[car crash!]
VERY
[“the asset!”]
[…???]
verrry
["this IS my happy face!]
very bad
48/100
Paul Greengrass and Matt Damon are back with a new Bourne movie, and this time, they brought Topical issues!
Although the action is looser and more defined, resulting in a less visceral feel (a core component of Greengrass's other two outings), and the story is fabricated out of thin 'Greatest Bourne Hits' slices, Jason Bourne is mostly fine, supporting solid performances which sell some of the drama when it isn't relegated to a computer monitor. The first act riot sequence in Greece is an all-timer Bourne set-piece, toppling character after character into a pan of sizzling tension obscured by smoke, flares, and police presence. A brutal confrontational fight scene involving a cooking pot was fun, as was the scene…
As much as I fully expect that Jason Bourne will garner a very mixed critical and audience reaction, the response of one chap who was in the screening I went to was most unexpected.
About 45 minutes in, a very loud snore suddenly made its presence known. Jason Bourne is a very loud movie as well, so this guy was really rolling 'em home. He stayed asleep for about 45 minutes as well. The perils of going to a 10:15 morning viewing, I suspect. Quite how someone could sleep through this at the cinema, I really have no idea.
Like I say, this one will split opinions right down the middle, I would imagine. Paul Greengrass is back and has…
Not really demonstrably more stupid than the others but so much more boring, with what little action there is suffering dearly for the lack of stunt coordinator/2nd unit guy Dan Bradley, often even missing simple screen direction. And the stabs at timeliness couldn't be more perfunctory. More shit about #Chems would be more interesting than this Google/Facebook/Big Brother junk. Couple good money shots though.
Paul Greengrass, Matt Damon and shaky cameras are back!!
Some treasures are better left untouched. Together, The Bourne Identity, The Bourne Supremacy & The Bourne Ultimatum make up for one of the greatest trilogies in motion picture history, having played an influential role in revitalising the action spy thriller genre while catapulting Matt Damon to Hollywood stardom & solidifying director Paul Greengrass' position as one of the first-rate filmmakers working in the industry today.
There never was a need for another one because all the loose ends were tied up, all the questions were answered, and the whole journey went full circle in those three films. And that's why, there is only one term to describe the latest chapter in the Jason Bourne saga: Unnecessary. And by that, I don't mean…
The script/story is dogshit and full of lazy touches all around (eg copying files into a folder called “black operations,” everyone’s texting style in this movie is identical, there’s no way Mark Zuckerberg would ever agree to do a panel with the head of the CIA, etc.).
But I’m so starved for ANY practical action scenes these days that my estimation of this film has grown considerably since it came out. There are at least two excellent chase sequences (the finale is still incredible), plus the movie does a nice inversion of having the “asset” being the one who’s hunted. Seeing a sequence where you know the filmmakers actually took a SWAT truck and plowed it through approximately 86 vehicles for real is basically a breath of fresh air after seeing Quantumania.
Most importantly, it stays true to the feel of the original trilogy, unlike Legacy. Not a worthy send-off for the character. But it could’ve been even worse.