Synopsis
There's no time for mercy.
After she's irreversibly poisoned, a ruthless criminal operative has less than 24 hours to exact revenge on her enemies and in the process forms an unexpected bond with the daughter of one of her past victims.
2021 Directed by Cedric Nicolas-Troyan
After she's irreversibly poisoned, a ruthless criminal operative has less than 24 hours to exact revenge on her enemies and in the process forms an unexpected bond with the daughter of one of her past victims.
Mary Elizabeth Winstead Miku Martineau Woody Harrelson Tadanobu Asano Jun Kunimura MIYAVI Michiel Huisman Mari Yamamoto Hirotaka Renge Kazuya Tanabe Cindy Sirinya Bishop Amelia Crouch Ava Caryofyllis Gemma Brooke Allen Hiroyuki Kobayashi Koji Nishiyama Kazuhiro Muroyama Shinji Uchiyama Byron Bishop Kimio Yamada Ryo Tanaka Hanazumi Masahiro Kanemaru Takuya Sano Nobu Watanabe Genki Yamasaki Patrick Newall Apparekoizumi Geoffrey Guiliano Show All…
Georgina Pope Kelly McCormick Patrick Newall Michael G. Selby Bryan Unkeless Bryce Anderson Anthony J. Vorhies
Peter Brown Mark P. Stoeckinger Andy Koyama Alan Rankin Stanomir Dragoş Anna Behlmer Gael Nicolas Xiao'ou Olivia Zhang
Lauren Thomas Sivakorn Suklungkarn Leah Vautrot Miho Suzuki Jakapan Wongsasuep Nana Miyamoto Gabrielle Puneky
เคท, ケイト:2021, كيت, Кошмарът Кейт, Κέιτ, کیت, קייט, ケイト, 케이트, Кейт, Кејт, 凯特, 絕命凱特
I’m a simple man, I see Mary Elizabeth Winstead with short hair and a gun, I press the like button
I want mary elizabeth winstead to take me out
Like on a date or with a gun?
Surprise me
personally i think that every movie from now on should feature mary elizabeth winstead as an assasin
More style over substance. The plot is a bit derivative and very predictable but I still found it enjoyable. Mary Elizabeth Winstead is a badass, she carried this movie.
A tale so familiar and formulaic that you could put it on in the background while you rearranged your closet and understand everything in sideways glances at the screen. As long as you stopped what you were doing to watch the stellar action scenes, you wouldn’t miss a thing. Which, given that this is a streaming movie intended for home viewing, may not be an accident.
Kate is the action surprise of the year.
Okay, I am now a Mary Elizabeth Winstead fanatic. She kicks so much ass it almost hurts to sit down while writing this review. The action is credible and believable. Plus, Yakuza gangster flicks are my jam, and Kate is definitely a Yakuza flick.
Nothing too much more needs to be said. Check out Kate the first chance you get.
Textbook orientalism for Japanophiles (weebs), a film that dehumanizes and fetishizes Asians and Asian cultures. Even (brutalized) Asian bodies are commodified for non-Asian (white) consumption. It's another iteration of Western cinema's "white savior" fantasy - a vengeful white person massacres Asians while J-Rock, J-pop, neon colors, and anime aesthetics dominate the narrative.
There's a scene at the beginning of the film where Chanmina's “I’m a Pop” plays in the background, and we later find out that the music is diagetic. I feel this is the target audience in microcosm - a non-Asian (white) person who only listens to the song because of the Asian aesthetic, probably unable to realize that the lyrics combine the Japanese and Korean languages. They probably…
Written by a man and directed by a man which is clear the second the "woman stops at nothing.... unless there is a child involved because she wants one!" trope is introduced. Even Jolt is better than this - going crazy for good sex I can at least wrap my head around.
Netflix you are one trash away from me cancelling the subscription. Woody, what the FUCK are you even doing here?! Venom money wasn't enough for you?
Getting tired of the "white person goes on a murderous rampage through Asia" genre but I guess if anyone's gonna do it it might as well be Mary Elizabeth Winstead
this is nothing amazing but god... movies just need to put in some neon lighting and mary elizabeth winstead and im like hell yeah sign me up
Frau arbeitet als Profikillerin, weil man das im Actiongenre offenbar machen muss, um nicht aus der Rolle zu fallen, wird auf ihrem letzten Auftrag (klar, wann sonst) aber vergiftet und hat nun noch genau einen Tag um…ähm, ja was eigentlich? Rache zu nehmen? Antworten zu finden?
Die Ziele von „Kate“ sind so unklar wie die Actionszenen, in denen Figuren oft mit dem Rücken zur Kamera stehen, Schläge, Stiche, Tritte komplett verdeckt werden und die gar nicht mal üble Choreografie durch träge Kameraführung oder den unpräzisen Schnitt zerrissen wird. Ach, und natürlich die Tatsache, dass Mary Elizabeth Winstead halt einfach nicht kämpfen kann.
Frau trifft dann auf Figuren, die genau wie sie selbst nicht den Hauch von Tiefe besitzen und dabei…