Popular reviews

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  Review by maria ★★★ 1

  even bad kubrick is better than anything else if you're catching my drift

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  Review by CinemaCl🎃wn ★★★

  An underrated film-noir that turned out to be far more engaging than expected, Killer's Kiss is no masterpiece in my opinion but it did serve its purpose well as a warm up exercise for director Stanley Kubrick's talents before he started churning out one masterpiece after another until the very end of his legendary film career & is as experimental as his later features.

  The story revolves around Davey Gordon; a 29-year old boxer well past his prime, who's waiting at the train station for his girl and in an extended flashback recounts the happenings of his recent past. Filmed on a shoe-string budget, it presents Stanley Kubrick in charge of the responsibilities of director, cinematographer & editor all by himself, at…

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  Review by Slig001 ★★★

  Stanley Kubrick's second feature length film is a poorhouse Noir effort. The film is much more interesting as a precursor to a brilliant film career than it is a great film in its own right. The plot is fairly standard stuff - a story of a boxer who gets himself into trouble after falling head over heels for a woman he just met. It's mainly told through flashback and the low budget is obvious. Many scenes seem drawn out and there's a long stretch where the leading lady tells her story over the backdrop of a ballet dancer, obviously cheaper than actually filming it. Killer's Kiss does showcase Kubrick's eye for shot composition, and the film is a triumph in…

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  Review by TajLV ★★½ 1

  "Like the man said, 'Can happiness buy money?'" ~ Vincent Rapallo

  Even renowned director Stanley Kubrick had his salad days. He was on welfare during the making of this film, his second feature, which he wrote, produced, directed, filmed and edited. In later years, he would describe this production as his "student level of filmmaking."

  All the shooting was conducted in New York City with virtually no budget and without on-location filming permits. In fact, it's been said that Kubrick had to negotiate with homeless people to use an East Side alley for the movie's murder scene.

  A borrowed spring-wound Eyemo camera was used for many of the sequences, and it was stolen before production ended. What's more, technical problems…

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  Review by ScreeningNotes ★★★ 3

  A fairly standard noir romance from a man who would come to change cinema forever. A fighter who's been down on his luck finds he has little to hold on to when he meets a beautiful young dancer. However, her emotional entanglement with her manager puts him in a deadly situation when the boss demonstrates that he only has her to lose.

  You can see the seeds of Kubrick's genius especially in the framing and composition of his shots, many of which involve brilliant use of mirrors and windows. The story also uses a bold amount of flashback, more than once going two layers deep into the past and surfacing to the present once in the middle only to plunge back under. Unfortunately the story is just a bit too generic to stand out, and the final chase/fight scene slightly overstays its welcome. Solid little flick but it can't touch the masterpieces yet to come.

  Stanley Kubrick Ranked

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  Review by WraithApe ★★★ 4

  Neither top-tier Kubrick nor top-tier noir, but still a fascinating artefact for anyone interested in charting the progress of the auteur. It's debatable whether it even constitutes a proper film noir - visually it fits the bill, it's got the voice-over, and there's the seedy urban milieu of back-alley-fire-escape New York, but it also lacks a lot of standard tropes. As ever, it seems Kubrick is less interested in the mechanics of genre than in the framework it provides him for exploring his own preoccupations, most notably at this point, photographic composition. We get a glimpse of Kubrick Future at times, exhibiting his magic eye for framing despite a very limited budget.

  The story is pretty rote: a washed-up boxer's…

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  Review by Ziglet_mir ★★★ 4

  An undeniable predecessor to The Killing, Kubrick experiments with stark contrasted lighting, unique camera angles, and fascinating expositions. The film noir atmosphere raises this up a tick or two for me for the great shots of a bustling city at night along with a few sequences implementing jazz to induce a sense of growing conflict or tension (one Kubrick would more or less perfect in his next outing as director). The short fighting scenes are rather brutal and intense, with quick camera movements and great utilization of sound. There is a small lack of urgency hindered throughout which hurts the film more than it should since the entire runtime is under 90 minutes.

  Viewed on Amazon Prime (rented).

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  Review by Kaleb ★★★ 2

  You can see shades of Kubrick here. It’s better then his first movie, but still isn’t anything special. It is entertaining though. It’s short runtime and engaging plot line never left me bored, but I also never felt invested in the characters. I’m watching every Kubrick film, so I’m excited to see how he evolved as a filmmaker.

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  Review by siobhan ★★★½

  the way stanley kubrick escalated from making succinct 1 hour films at the beginning of his career to the extreme opposite with 3 hour films by the end

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  Review by jun ★★★

  "You confuse pity for love."

  A man and a woman, each with nothing to lose. Their pity for eachother turns into love (I think?), and the only thing standing in their way is another man who only has the woman to lose. The entire drive of this film stands on the shoulders of a one night encounter between the two leads. Instead of showing us the necessary scenes that would build onto the relationship, its instead mentioned in narration. This can be a crucial turn off for the viewer if they dont believe in their romance. But for me, there was just enough for the suspense in the third act to pay off, where the film also spits in the…

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  Review by DBC ★★★

  A Year of Film History Challenge
  (watching a little bit of film history month by month, decade by decade)
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  One thing Killer's Kiss really drove home for me is how crucial the music is to the films of Stanley Kubrick. Despite being beautifully shot and with moody noir lighting, the movie is frequently pulled back from the fateful and brooding territory that was Kubrick's wheelhouse by Gerald Fried's peppy and repetitive 50's score. It's clear enough how important Kubrick feels the music is to his production, but unlike the camera, it's just not a tool he's adept with yet.

  There's still skill in a lot of other areas though. Kubrick gets to do the boxing match from his short…

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  Review by feedingbrett ★★

  Review In A Nutshell:

  Killer's Kiss is by far Kubrick's most difficult film to watch, with a plot that never at all goes anywhere interesting or profound, only to be somewhat redeemed by the final thrilling sequence that proves the director's craftsmanship of creating tension and desperation.

  In comparison to Fear and Desire, Killer's Kiss is a less ambitious film, taking place in a familiar environment and featuring a story that is more grounded and superficial. Character development is lacking in this film and chemistry between the two lovers are nowhere to be found. A sense of danger was present during the first half of the film, but it never takes charge until the latter half of the film. Dialogue…