2022 Directed by Steven Soderbergh
A tech worker with agoraphobia discovers recorded evidence of a violent crime but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: leave her apartment.
Zoë Kravitz Byron Bowers Jaime Camil Erika Christensen Derek DelGaudio Robin Givens Charles Halford Devin Ratray Jacob Vargas Rita Wilson India de Beaufort Sarai Koo Koya Harada George Evans Sheila Evans Sebastian Evans Henrich Evans Betsy Brantley Alyana Gomez Brian Flores Lakin Valdez Patrika Darbo Cheyenne Nguyen Andrew Daymer Alex Dobrenko David Wain Andrew Daly Noelle E. Parker Finnegan George Show All…
Victor J. Zolfo David Chow Victor Mendez Shaun Young Brandi Benkert Corey Gomez Billy Sender Alana Shea Eric Pierson Miguel Lequericabeascoa
R. A. Rondell Derek Graf Gee Alexander Brady Romberg Michael Hilow Nico Woulard Doug O'Dell II Alvin Zalamea Bret Kiene Alex Terzieff Michelle Damis Jeff McKracken Tommy Daniels James A. Smith Kate Gray Rachel Gelfeld Karleena Gore Cassie Jo Craig
Dawn Lunsford Alicia Stevenson Blake Leyh Larry Blake John Pospisil Dennis Towns Billy Theriot David Jobe Michael Gilbert Heather Gray
키미, KIMI, 冷酷不够热, 冷感酷女孩, 不够热的冷酷感, KIMI サイバー・トラップ
Thrillers and murder mysteries High speed and special ops Crime, drugs and gangsters cops, murder, thriller, detective or crime action, explosives, exciting, action-packed or villain future, sci-fi, technology, action or technological film noir, femme fatale, 1940s, thriller or intriguing mystery, murder, detective, murderer or clues Show All…
Feels like a miracle that they made a movie that acknowledges covid but doesn’t need to make the story ABOUT covid and the movie still gets to be fun
Completely obsessed with the physicality Kravitz brings to drying her hands after using hand sanitizer
obviously soderbergh’s intent with the shaky cam/low FPS is to capture the vertigo of agoraphobia, but ultimately this is a movie about how it feels to be too stoned at the grocery store
80
Steven Soderbergh and David Keopp keep it short, sweet, and surgical with Kimi - a sleek techno genre piece that also dabbles in the sculpting of a complex character. Zoe Kravitz is great here, involving us not just in the Blow Out mystery but also the various pathways of her anxiety. COVID is a baseline for so many threads in this film. A struggle for intimacy and clarity in a world that is increasingly intangible. The reliance on a homely space vs. the outside world, with physical barriers making up for our lack of boundaries in digital spaces. It has plenty on its mind. And as a surveillance thriller, it's a delight, with Soderbergh as precise as ever. The final act is utterly fantastic. Of his "post-retirement" films that I've seen, this is his best.
my review of this movie is what zoe kravitz says early in it, “why does everything have to be the best? why can’t some things just be good?”
I didn't know going in that Zoë Kravitz was playing a clearly autistic coded character, but it became obvious from the first two minutes she was on screen. strict adherence to routine, relentless repetition over facts and the way things need to be whenever something goes against plan, her usage of noise-cancelling headphones and struggles with sudden noises, even the difficulty of leaving the controlled environment following a traumatic incident. there is no unnecessary exploitation of her tics by either Kravitz or Soderbergh, her character Angela is not a collection of stereotypes or reduced to condescending ideas of who autistic people are. it is a remarkably accurate, compassionate depiction of an autistic woman that made me feel incredibly emotional and…
movie is the equivalent of a person who loves Taylor Swift but only listens to “ME!”
I liked it when she was in the apartment, after that ehhhhhhhhh. Congrats to this movie for being the first one to use dutch angles correctly though!
