1993 Directed by John McTiernan
Danny is obsessed with a fictional movie character action hero Jack Slater. When a magical ticket transports him into Jack's latest adventure, Danny finds himself in a world where movie magic and reality collide. Now it's up to Danny to save the life of his hero and new friend.
Arnold Schwarzenegger Austin O'Brien Bridgette Wilson-Sampras F. Murray Abraham Art Carney Charles Dance Frank McRae Tom Noonan Robert Prosky Anthony Quinn Mercedes Ruehl Ian McKellen Professor Toru Tanaka Joan Plowright Keith Barish Jim Belushi Chevy Chase Chris Connelly Karen Duffy Larry Ferguson Leeza Gibbons M.C. Hammer Little Richard Robert Patrick Maria Shriver Sharon Stone Melvin Van Peebles Damon Wayans Jason Kelly Show All…
Brian W. Cook Bruce Moriarty Vic Armstrong Richard Baratta Fred Waugh Newt Arnold Cellin Gluck Carl Goldstein David Ticotin Dana J. Kuznetzkoff
Eugene Collier Buddy Joe Hooker Charlie Brewer Joel Kramer Keith Campbell Vic Armstrong Jimmy Nickerson Charles A. Tamburro Ron Stein Bobby Bass Peter Kent Jeffrey J. Dashnaw Guy Manos Henry Kingi Pete Antico Al Leong Glenn R. Wilder Alan Oliney Fred Waugh Chuck Zito Ric Roman Waugh Norman Howell Jon H. Epstein Gary McLarty Bob Brown Merritt Yohnka Dick Ziker Ronnie Rondell Jr. Gene Hartline David Lea John Meier Scott Waugh Billy D. Lucas Doc D. Charbonneau Laura Dash Harry Wowchuk Peewee Piemonte Debbie Evans Lance Gilbert Damon Caro Tommy J. Huff Norm Compton James M. Halty Scott Rogers William H. Burton Jr. Gregory J. Barnett Gregg Smrz Chuck Picerni Jr. Pat Romano Lane Leavitt Manny Perry Michael Runyard Anthony G. Schmidt Scott Wilder Kenny Endoso Matt Johnston Richard L. Blackwell Bennie Moore Troy Gilbert Wally Crowder Janet Brady Annie Ellis Andy Epper David Walling Jim Stephan Billy Hank Hooker Danny Rogers Sharon Kramer Clint Cadinha David Webster Ericka Bryce Poniewaz Kristy Sexton
Zane D. Bruce Cindy Marty Nerses Gezalyan Jay Wilkinson Jerry Ross David A. Arnold Lee Orloff Linda Folk David W. Alstadter Lauren Palmer
Der letzte Action Held, El Ultimo Gran Heroe, El ultimo héroe en acción, Extremely Violent, Poslednji akcioni heroj, Den siste actionhelten, Den siste actionhjälten, 라스트 액션 히어로, 幻影英雄, Последният екшън герой, L'últim gran heroi, Poslední akční hrdina, Den Sidste Actionhelt, Ο τελευταίος μεγάλος ήρωας, El último gran héroe, Viimane kangelane, آخرین حرکت قهرمان, Le dernier des héros, אחרון גיבורי הפעולה, Posljednji akcijski junak, Az utolsó akcióhős, Last Action Hero - L'ultimo grande eroe, ラスト・アクション・ヒーロー, 마지막 액션 히어로, Paskutinis veiksmo filmų herojus, Den Siste Actionhelten, Bohater ostatniej akcji, O Último Grande Herói, Ultima aventură, Последний киногерой, Posledný akčný hrdina, Zadnja velika pustolovscina, Последњи акциони херој, லாஸ்ட் அச்டின் ஹீரோ, คนเหล็กทะลุมิติ, Son Kahraman, Останній кіногерой, 最後魔鬼英雄
USAPG-13
Westwood, California
USAPG-13
New York City, New York
USAPG-13
Philippines
South Korea
Brazil12
Ireland15
Portugal
UK15
Netherlands12
FranceU
Argentina
Hungary
Japan
Spain18
Czechia
AustraliaM
Sweden11
Germany12
Italy
Austria
Poland
Denmark11
Finland
Estonia
France
France
FranceU
Greece
Netherlands12
Netherlands12
FranceU
FranceU
Netherlands12
Argentina
Australia
Austria
Brazil
Czechia
Denmark
Estonia
Finland
France
Germany
Greece
Hungary
Ireland
Italy
Japan
Netherlands
Philippines
Poland
Portugal
South Korea
Spain
Sweden
UK
USA
Absolutely stupid brilliance. A magnificent, reflexive, fun, schlocky "love letter" (hate the phrase but it's true!) to action films. The first hour of this is so divine, and the second half dives into strange meta-commentaries on celebrity that I had totally forgotten. Charles Dance is fantastic. And this thing is cameo city– a buncha random appearances that make you feel like they just sent a massive email to anybody who was available. Do not understand the crossover audience for some of these gags, but that just makes me love them more. A big chunk of the script for this Arnold Schwarzenegger action film is references to The Seventh Seal. For who? For me! (I have not seen The Seventh Seal. Not enough explosions.)
When the Hollywood hamster wheel gets down to redoing films that were both critically and commercially panned, I would like to be in charge of writing this reboot! Okay, thank you!
This film has the most insane amount of cheesy one liners.
This film has Professional Evil Brit Charles Dance.
This film has some unbelievably impressive action sequences.
This film completely takes the piss out of itself.
This film is about movie magic.
How can I not love this film?
There are many films wherein a character creates a false reality in order to help cope with some trauma they've suffered, a devastating break-up (Annie Hall) or a haunting death (Romancing in Thin Air). This is the only film I know wherein a character moves from a false reality to a real one in order to cope with a trauma he's suffered in the fictional world.
And of course, that catharsis is facilitated by a character (a young boy, of course) moving from the "real" world to the fictional one.
"I don't like you. You've brought me nothing but pain."
Worst part is that in 2019 this kid probably has a popular youtube channel where he points out plot-holes and inaccuracies in movies.
Simultaneously one of the great action parodies because beyond the expertly crafted Looney Tunes visual gags, on a filmmaking level it's frequently indistinguishable from the real thing (god McTiernan) and one of the best movies about a movie star literally wrestling with their own Hollywood fantasy image and myth. "You've brought me nothing but pain!"
Tony Vivaldi... and the Torelli mob... are joining forces............ I’m outta here...
me but instead of bringing an action hero to life it’s the kids from cyberchase
There definitely should have been a greater effort made to distinguish the look and feel of the movie and real worlds. The kid sidekick character does occasionally grate on the nerves ("Holy cow!"). And there's an entire sequence involving the funeral for a flatulent gangster which is just kind of sad. But this movie is a lot more successful and interesting than it is often given credit for.
For folks studying the field of Schwarzeneggenomics (and trust me there are A LOT of us -- okay, just me) this is one of the key texts, because Schwarzenegger interrogates his own image for us. In so many of his movies he plays characters with double lives; usually figuratively (as in TRUE…
sorry but no one can convince me this isnt an underrated masterpiece when theres a scene of arnold playing hamlet and the voice over says "theres something rotten in denmark...and he's taking out the trash!" like how is this not supposed to become one of my favorite movies???
