2021 Directed by Edgar Wright
A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it seems, and time seems to be falling apart with shady consequences.
Thomasin McKenzie Anya Taylor-Joy Matt Smith Rita Tushingham Michael Ajao Synnøve Karlsen Pauline McLynn Terence Stamp Diana Rigg Aimée Cassettari Colin Mace Jessie Mei Li Kassius Nelson Rebecca Harrod Alan Mahon Connor Calland Josh Zaré Jacqui-Lee Pryce Elizabeth Berrington James Phelps Oliver Phelps Beth Singh Paul Brightwell Will Rogers Terence Frisch Celeste Dring Jeanie Wishes Andrew Bicknell Adam Sopp Show All…
Tim Bevan Eric Fellner Edgar Wright Nira Park Ollie Madden James Biddle Rachael Prior Daniel Battsek Lisa Curry
Thomas Proctor Chetan Gaur Danny Huerta Oliver Cordwell Anshul Gattani Daniel Hazeltine Jamie Hearing Karl Kuehn
Focus Features Film4 Productions Working Title Films Big Talk Productions Complete Fiction Perfect World Pictures
Ultima Notte A Soho, Dernière nuit à Soho, 蘇豪的最後一夜, Última noche en el Soho, Последна нощ в Сохо, ฝัน-หลอน-ที่โซโห, Dün Gece Soho'da
me, a white woman: other kids my age love justin bieber and one direction… but i like real music. elvis presley. dusty springfield. the beantles. i was born in the wrong generation. i wish i was born in the 60s. those were the best years of all time
the black man i have an inexplicable romance with: oh word?
anya taylor-joy is the girl of your dreams? mine too bitch you’re not special
so im supposed to believe a girl from cornwall whos been to london once can run street to street without using citymapper
everything about how this has been self-consciously stylized makes it far too cute and polished to enter the ugly and surreal realm that a movie like this needs to get to, it feels like a little boy playing dress-up polanski/argento, and im sorry if this is insensitive but these movies had a certain kind of unsettlingly raw, dirty power to them when made by the legitimate perverts of their era. in 2021 there's nothing here but shallow image recreation (and not even very good recreation at that, the 60s stuff even looks plastic with his goddamn whip pan cutting) and Male Feminist apologia for trafficking in those problematic images. misogyny existed in the 60s? nostalgia is bad? thank you edgar.…
I’m just like eloise because i too am lonely and spend most of my time thinking about anya taylor joy
For a couple years now, I've considered Edgar Wright to be my favorite director, thanks in no small part to the fact that the man just couldn't seem to miss. Every one of his prior films is absolutely excellent in their own wright, and I couldn't wait to see what he could do with a straight-up horror film for a change.
...what the fuck happened?
I just found this so tasteless and vile, like, are cheap jumpscares the best way to explore this particular kind of trauma? There are so many better and more subtle ways this story could have (and HAS) been told, and it feels like this movie has nothing to add to the conversation despite insisting that…
