Synopsis
In the second film of the Lone Wolf and Cub series, Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must assassinate a traitor who plans to sell his clan's secrets to the Shogunate.
1972 ‘子連れ狼 三途の川の乳母車’ Directed by Kenji Misumi
In the second film of the Lone Wolf and Cub series, Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must assassinate a traitor who plans to sell his clan's secrets to the Shogunate.
Tomisaburō Wakayama Kayo Matsuo Minoru Ôki Akiji Kobayashi Shin Kishida Shogen Nitta Kappei Matsumoto Takashi Ebata Akihiro Tomikawa Izumi Ayukawa Reiko Kasahara Yukiji Ikeda Yuriko Mishima Maki Mizuhara Yukari Wakayama Ima Masaki Michi Azuma Sei Hiraizumi Yasuhiro Minakami Ichirô Yamamoto Yûzaburô Sakaguchi Shintarō Nanjō Hinode Nishikawa Etsujirô Yamaoka Takuya Kitano Seishirō Hara Akira Hirasawa Toshio Kitagawa Kenji Ikeda Show All…
Lone Wolf and Cub 2: Baby Cart at the River Styx, Okami - Am Totenfluss, Kozure Ōkami: Sanzu no kawa no ubaguruma, Lobo Solitário 2: O Andarilho do Rio Sanzu, Lone Wolf & Cub 2: Am Totenfluss, Baby Cart 2: L'enfant massacre, De Bloedwraak van de Zwaardvechter, Babycart at the River Styx, Baby Cart vol.2 - L'enfant massacre, 带子雄狼:沙漠大厮杀, El lobo solitario y su cachorro: carro de bebé en el río Estigia, El lobo solitario y su cachorro: coche de bebé en el río Estigia, Baby Cart Vol.02 : L'Enfant massacre, A sógun orgyilkosa 2., Ogami, il pericolo giallo, 아들을 동반한 검객 2, Kozure Ôkami: Sanzu no Kawa no Ubaguruma, Меч отмщения 2, 带子雄狼:三涂河的乳母车, 斬虎屠龍劍2:沙漠大廝殺
I mean…holy shit.
In part II of the Lone Wolf and Cub series, Ogami Itto, Master of the Dad Bod, says hold my beer to his first outing as the assassin-for-hire before proceeding to dial every available notch to 11, reaching new levels of batshit insanity and driving the Japanese film industry further into a fake blood drought.
This movie’s bingo card includes:
- A Guinness world record-setting *10 seconds* before the first bloodbath
- A fight where a man is literally dismembered ear by nose by finger by limb by limb by limb
- The most incredible feat of backwards running ever put to film
- Gory Wolverine-like kills that Hugh Jackman could never
- A sword called “Horse-Slayer”…
95
Enjoyed the first film well enough but Baby Cart at the River Styx is such a dramatic improvement that I'm almost hesitant to continue the series. What stylization of both bloodshed and father/son tenderness. Pretty much continuous earth-shattering violence that also doesn't forget the contextual foundation of the poetic dynamic at its center. So many memorable images and sounds that I can't even begin to count. Just as enthralling in the moments of a young boy taking care of his father as when feet and ears are being sliced off.
A masterclass of beautifully rendered widescreen blood-soaked mayhem, and a legitimate argument for greatest "genre film" of its decade.
With unmatched stone-faced intensity, Tomisaburō Wakayama's ronin warrior Ogami Ittō challenges the great Toshiro Mifune's iconic screen contributions as filmdom's most awesome samurai. As his loyal 3-year-old (and master of the blade-jettisoning pram) Daigorō, Akihiro Tomikawa may be the most adorable toddler ever put on screen (certainly within a gore-fest such as this).
Having only previously seen the bulk of this Toho Studios classic in its famous U.S. re-edit "Samurai Assassin", Japanese Director's Kenji Misumi's cinematic high-water mark is even better in its original cut and native language (though I did keep waiting for Daigorō's narration to kick in).
In this,…
76/100
No idea what possessed Misumi for the duration of this particular shoot, but sandwiched between the comparatively lackluster Sword of Vengeance and Baby Cart to Hades (remarkably, all three films were made, or at least released, in 1972) is one of the most relentlessly bugfuck martial-arts movies ever made. Opens with a stern warning hissed by a guy whose head has just been cleaved nearly in two, and just gets more outlandish from there, in ways that are sometimes ultraviolent and sometimes just plain bizarre. One early "fight scene" involving a group of female ninjas—who we've already seen literally slice someone to pieces, with various body parts (ear, nose, fingers) landing splat on the floor—spends less time on the…
The continuing adventures of Lone Wolf and Cub, picking up with the wandering Ronin and his infant son as they continue to slash their way through feudal Japan on the road to Hell. This sequel really ups the ante from the opener - benefitting from a more defined narrative and an increase in over the top bloodshed. An opening scene that sees our hero force his sword through one guys head and then stab another really sets the tone. Its all about the blood in this one - blood pouring through walls, raining down from trees, seeping through sand, blowing in the wind.....gory death is everywhere and director Kenji Misumi is sure to capture it at its most beautiful. The…
"I've always wished to kill someone, just once, and create such a fine cut and to sing this tune." -Benma,
So.... much.... blood....
I love it. This series is really fun so far with part 2 surpassing 1 in gore and silliness, both of which are appreciated. I love seeing Lone Wolf bloody that group of woman assassins and the final showdown is the perfect blend of beautiful and campy.
Good stuff.
With the necessary exposition done away with in the first installment, Baby Cart at the River Styx is free to spend its runtime focusing on pure carnage, wild characters and some absolutely insane action set pieces
Assassin Lone Wolf and Cub at your service
The best “holy crap, jumping right in” opening
The best father-son bonding
The best lady-ninjas-suffer-no-fools scene
The best job-interview-interrupted-by-assassin
The best hypnotic dance of death
The best secret-carrot-knives ambush
The best kid-causally-merks scene
The best emergency-eject-dress escape
The (second) best weaponized-baby-cart scene
The best called-your-bluff scene
The best badass-villain-introduction
The best pre-battle one-liner
The best slit-throat-elegy
Just the best
Lone Wolf and Cub: Baby Cart at the River Styx is a perfect mix between Samurai violence and father and son sweetness. A great improvement from its predecessor with amazing cinematography and even better fight scenes, plus tons of blood to keep filling this pool of greatness.
One day, perhaps, I will have more informed things to say about these movies but, as it is, I just ... love them.
I love how they look.
I love how unhurried they are, and how still.
I love how seriously they treat their subject.
I love the frankness and lurid beauty of the violence.
I love the foregrounding of the four elements, and how beautiful each one is in turn.
(But particularly the water. I really, really love the water.)
I love the relationship between father and son. I love how contently intertwined their lives are, and how deeply they believe in one another. I love their wordless bubble of understanding.
Also, if you tell me Daigoro wasn't at least part of the inspiration for Grogu, I will call you a liar.
The little kid Daigorō in these movies is out of control cute. I can only hope all the slaughter and non stop ownage he witnesses walking The Demon Way in Hell with his father won't warp him as he grows up.
Arterial spray has never felt so elegant in the 2nd instalment of the Lone Wolf & Cub saga. The ongoing journey through spiritual hell for Itto, with his adorable son Daigoro along for the ride, as they walk through a never-ending existence of sliced foes. Red puddles in the sand, lobbed limbs and flayed appendages, it's like a splatter haiku.
While the first film, Sword of Vengeance, did an excellent job setting up the lore and introducing us to a hypnotic brand of gory combat, it's in this sequel that elevation becomes the key motivation.
Itto has been hired to assassinate a traitor while he is also still being pursued by the Yagyu clan, which leads to an array of soon-to-be…