"This year’s online edition of Rotterdam’s IFFR offered a wide collection of visually and thematically diverse films, the majority of which focused on marginalised stories of queer identities, otherwise overlooked women’s narratives and societies affected by dark histories of colonialism and fascist governments. One of such surprises among 16 titles presented in the Tiger Competition proved to be a delicate coming-of-age drama set in a small Kosovar town, where any manifestation of female individuality still ends in immediate suppression by the governing patriarchal mentality. After Aga’s House (Lendita Zeqiraj, 2019), Zana (Antoneta Kastrati, 2019) and the most recent Sundance hit Hive (Blerta Basholli, 2021), Kosovar cinema seems to be catching an unexpected wave – one that, despite having roots in…