Ever had a lump stuck in your throat for 2 hours?

Ever held in a scream you wanted to scream but couldn't because you were afraid you couldn't stop?

Ever seen an actor not acting, not performing, just being?

Ever seen a director do his utmost to tear out your soul, stomp on it only to rebuild it in the most bitter sweet way imaginable?

Ever lost someone, wanting them back so badly, living becomes a chore?

Ever grieved?

Ever felt so much love and responsibility it becomes unbearable?

Manchester by the Sea shows us a life, a real life, in all its ugly beauty. It uses the power only the most exemplary pieces of art possess, the power to…

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After Manchester by the Sea, Kenneth Lonergan's third feature film, the world stopped spinning. Of course, such an inherently hyperbolic statement comes from a place of personal connection, the typical gushing praise of having just encountered an "experience", but truly, its root is in the world which was painted before me. It seemed no different initially: seagulls swooping through the harsh winter winds, snow cascading onto the salted pavement, operatic groups of tenors and baritones providing an extraordinary backdrop for the ordinary. Such an environment exists, and it is still, uneventful, misshapen in its fractured neighborhoods and streets. It is also familiar. Familiar to people who wander a snowy path in search of late-night groceries. Familiar to people who…

We all grieve, yet we grieve in many different ways. A death can make a family stronger, or destroy it. Some people never get over a loss. Others, find a positive out of a negative, and use their experience to educate and help others. I'm envious of those who've never experienced a significant loss. That's probably why it's not the end of the world for me when a celebrity dies. It's okay if you get upset when a famous person passes. I've been upset by celeb death, but it's nothing like losing someone you love more than anything. That's why I loathe the month of March. This March, it's the 10 year anniversary and the 4 year anniversary of the…

Painful film to watch. I’d subscribe to the point of view that Lonergan’s Margaret was an incoherent mess that severely needed an edit; but Lonergan and Matt Damon’s descriptions of this film on The Hollywood Reporter changed my mind on watching this movie, and they are correct that Affleck’s performance and those surrounding him are special; Damon’s instincts about the quality of the script are on the money. This is a complex human story; Affleck’s destructed and demolished man resonates with the responsibility thrown at him but there are concentric ripples of the discomfort of family’s that go beyond one father or man/ boy relations. Lonergan provides a quiet cinematic platform without dropping into modern realist misery; it’s a beautiful…