100/100

[originally written on my blog]

I don't understand how you make a film that looks like this and then go on to make 32 subsequent films (and counting) that look nothing like this. But then, neither do I understand how you achieve the perfect synthesis of your many gifts and somehow conclude that you totally whiffed, to the point where you beg the studio to destroy the negative. Each of the film's tricky balancing acts—between visual beauty and verbal dexterity, between wit and pathos, between the specific and the universal—couldn't be more sublimely realized; like most every masterpiece, it's a tiny, insular story that nonetheless embodies human folly at its most ubiquitous and grandiose. That Woody chooses to make…

Part of the Film School Dropouts Challenge
Week 30: Woody Allen

A cinematic loveletter to a special city, and a honest and satiric romantic-comedy. It's a film that deals with love, relationships, personal dilemmas, regret and maturity as we follow the lives and relationships of a few neurotic, complicated and privileged people in NYC. The gorgeous black-and-white cinematography that captures the gritty beauty of NYC and the rousing soundtrack were the true highlights for me and really what made this a joy to watch. Other than that it has a pretty smart and well-written script with snappy dialogue, and some good, fleshed-out (though quite annoying - which I guess is the point) characters, and there's good performances across the board…

“Chapter One. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat—oh, I love this. New York was his town, and it always would be.”

Is life fundamentally sweet or sour? Depends on your point of view, I suppose. You get a new job, make a new friend, fall in love—life is honeyed and worth living. You lose that job, have a falling out with that friend, fall out of love—life is curdled and should be thrown out. The funny thing is, those circumstances don’t parcel themselves out discretely. They tend to coexist. You get a promotion but have a fight with your spouse about the…

Film #3 of Florin's Recommendations

“I feel like we're in a Noel Coward play. Someone should be making martinis.”

Isaac Davies is the typical Woody Allen character, an underachieving intellectual who is not confident enough to do what he wants to do in life, someone who is living a romantically –and of course sexually- problematic life and seems to struggle with the endless complexities of human relationships, someone who has always been one step away from achieving success but the fear of rejection and the lack of confidence have kept him from reaching greatness and happiness, an individual who is desperately searching for the meaning of life in a time and place where things- thanks to modernization- are changing so…

Part of the Film School Dropouts Challenge
Week 30: Woody Allen

A cinematic loveletter to a special city, and a honest and satiric romantic-comedy. It's a film that deals with love, relationships, personal dilemmas, regret and maturity as we follow the lives and relationships of a few neurotic, complicated and privileged people in NYC. The gorgeous black-and-white cinematography that captures the gritty beauty of NYC and the rousing soundtrack were the true highlights for me and really what made this a joy to watch. Other than that it has a pretty smart and well-written script with snappy dialogue, and some good, fleshed-out (though quite annoying - which I guess is the point) characters, and there's good performances across the board…