Synopsis
This is the truth. This is what's real.
Sobering and incisive, this cautionary drama centers on a street tough 18-year-old facing a moral quandary while trying to turn his life around.
1993 Directed by Albert Hughes, Allen Hughes
Sobering and incisive, this cautionary drama centers on a street tough 18-year-old facing a moral quandary while trying to turn his life around.
Tyrin Turner Larenz Tate Glenn Plummer Jada Pinkett Smith Samuel L. Jackson June Kyoto Lu Toshi Toda Reginald Ballard Khandi Alexander Jullian Roy Doster Brandon Hammond Eugene Lee James Pickens Jr. Nancy Cheryll Davis Marilyn Coleman Arnold Johnson Saafir Pooh Man MC Eiht Vonte Sweet Ryan Williams Cynthia Calhoun Garen Holman Joy Matthews Clifton Powell Too $hort Christopher M. Brown Stacy Arnell Dwayne L. Barnes Show All…
Veszélyes elemek, Die Straßenkämpfer, Menace to Society, Menace II Society Directors Cut, ポケットいっぱいのなみだ, Hrozba společnosti, Menace II Society - Die Straßenkämpfer, Infierno en Los Ángeles, Menace II society, סכנה לציבור, Nella giungla di cemento, ポケットいっぱいの涙, 사회에의 위협, Zagrożenie dla Społeczeństwa, Perigo Para a Sociedade, Perigo para a Sociedade, Угроза для общества, Hrozba spoločnosti, Topluma Tehdit, Загроза суспільства, 社会威胁
Directors Albert and Allen Hughes and screenwriter Tyger Williams were barely into their twenties when they sent shock waves through American cinema and hip-hop culture with this fatalistic, unflinching vision of life and death on the streets of Watts, Los Angeles, in the 1990s. There, in the shadow of the riots of 1965 and 1992, young Caine (Tyrin Turner) is growing up under the influence of his ruthless, drug-dealing father (Samuel L. Jackson, in a chilling cameo) and his loose-cannon best friend, O-Dog (Larenz Tate), leading him into a spiral of violent crime from which he is not sure he wants to escape, despite the best efforts of his grandparents and the steadfast Ronnie (Jada Pinkett). Fusing grim realism with…
What a hard and violent film.
That grocery store scene was just the beginning and that scene alone was already nerve wrecking and intense, I had no idea how the rest of the movie would play out after that.
Compared to other films (Boyz N The Hood, Juice), I've noticed that there's two types of people in these films when it comes to growing up in the hood: there's those who make it out and those who don't. Sadly, this film is an in depth look of the tragedies for those people who don't.
Through the narration of the main character, Caine, we get to hear the thoughts that undergo his mind as his story goes on. You see the…
Recommended by: Marvin123
Criterion Collection Spine #1105
Brought up in a cycle of crime and violence on the streets of South LA, a High School graduate must decide if he can bring himself to leave all he knows behind ... before his time runs out.
"Being a black man in America isn't easy. The hunt is on, and you're the prey. All I'm saying is ... Survive! All right?"
Having seen 'Don't Be a Menace to South Central While Drinking Your Juice in the Hood' a couple times growing up, it was crazy to finally see how that hilarious parody chose to poke fun at this powerful urban drama. Menace II Society gives us an inside look into the lives…
Menace II Society will probably be the film I point to when I hear somebody complain about narration in cinema. It can be a horrendous tool, but when used properly it can ground a film and fill it with tremendous power. A film about a murdering, drug-dealing gang-banger shouldn't get you in the heart, but thanks the Hughes Brothers perfectly scripted narration it does hit you and it hits you pretty damn hard. The rest of the film is fairly by the books but because you feel for Caine, the film just becomes that bit more of an emotional experience. Good stuff.
Those referring to this as ‘the black Goodfellas’ are overstating nothing. Alongside Hype Williams’ Belly, Menace II Society is one of the few 90s hood movies to give Boyz n the Hood a true run for its money. Under the direction of The Hughes Brothers, the camera pans, whips, and tracks with all the coked-out energy of Scorsese himself, the difference here being the shift in environment. I’ve read that some people amount the commercial failure of this classic to its 93’ release, and the fact it’s one of the first racially provocative works to emerge out of the post-Rodney King/LA riots era, but that’s as if to say it speaks from an incendiary angle, which it doesn’t. This is…
For a long while now I'd been intrigued about this one since it's been praised as one of the most influential social and racial themes dramas of the 80s and 90s, mostly due to the racial tensions that peaked in the worst way possible back then.
While I still prefer Singleton's discourse on the subject, this one was a welcoming surprise. There is this incredible camera work in the film that reminds me of Spike Lee or Martin Scorsese. While the cinematography is admirable, the way everything is shot at times makes it seem a bit cheap in that it feels closer to a low-budget indie movie than a Hollywood piece, however the style instilled by the brothers elevates the…
I hadn't seen this underrated gem since high school and I gotta say, this held up even better than I remember.
This is probably the best hood movie of all time. Extremely violent, honest and visceral. I'd recommend this movie to everyone because apparently not very many people have seen it.