colin farrell's character introduces himself to tom cruise as "the twink from the Fed" #gayrights

watched half of it again cause gabe had to finish it and am logging it again because there’s no rules on this site. send the future cops my way, i don’t give a fuck!!!

wish i’d seen this in theaters because the moment of agatha screaming RUUUUUUN would’ve rocked my world as a 10 year old. “max von sydow” is the coolest name of any famous actor- unless you count uhhh Joe freaking Biden!!! aaaand post

Steven Spielberg's been so good for so long we take him for granted. This one more than holds up as one of his very best -- and one of Cruise's best as well. I think might be his best performance.

Loaded with Hitchcock references but especially to FOREIGN CORRESPONDENT, and with more than just the umbrella gag. The chases have the same goofy relish, too (the jetpack hamburger gag here might as well be the old guy trying to cross the street during the car chase in CORRESPONDENT). Hitchcock's film urged the U.S. to enter the war a year before Pearl Harbor, Spielberg's warned of a society willing to give up a few civil rights for possibly illusory safety not even a year after 9/11.

90

A dystopic gumshoe thriller. Its vision of the future includes animated cereal boxes, customized advertisements, and a populace always aware of their own actions. Maybe the mystery is lacking in inventiveness, but Spielberg is at the height of trying everything and anything, and pulling it off with aplomb. Hitchcock is a key influence, of course, but Spielberg's peers of De Palma and Lucas have never felt so close in competition. As an aesthetic exercise, this is just an absurd flex.

Absolutely gorgeous. (Steven) Spielberg and John(ny) Williams breathe life and theater into a story that in any other director’s hands would’ve been interpreted colder than a ice cube! Much more playful than I remember, and so visually independent from all his other stuff. Spielberg is “good” as hell! With this and Catch me if You Can (film), 2002 is my hot contrarian take for Best Spielberg Year (per capita).

I like that there's a whole little side plot about how good Tom Cruise can run and how his son wants to learn to run like him.

pre-crime arresting me for pre-shoplifting at GAP: how’d those assorted tank tops work out?

me: *spits out blood* fuck you

It’s so funny that I just accepted 2002 at face value at the time. Possibly the ugliest year of human history and I just went to middle school in a Hot Topic graphic tee and listened to Thursday about it. You look at that year now and it’s practically begging you to throw up but we really lived like that. This is exactly the same as watching that smoothed out and colorized footage of the French snowball fight from the 19th century except that this time I remember being there.

the Free Will dystopia scfi novella and 50s conspiracy noir expertly woven into a pop action thriller. spielberg's gee whiz rendering of the future (jetpacks!!) lends itself well to bizarre comedy and inventive setpieces, but it's his visual sophistication when it comes to character (and the complexity of simple gestures/interactions) that makes this so thrilling―weird how so many modern blockbusters can't seem to grasp this.

Let the eyeballs hit the floor! Love the crazy ideas on this movie. Was thoroughly confused by the title (until the reveal) which I think is genius

pretty dark, but undeniably interesting!

very well made, super clever.

was entertained, but not sure i was moved.

everytime agatha yelled, my sister screamed. what a fun viewing experience :/

Kaminski shot this film absolutely filthy. What a stud. Because of it, MINORITY REPORT ages quite well.

This felt very much like 1995's Twelve Monkeys both thematically and conceptually. Much like Twelve Monkeys, I can see the appeal but it's simply not my type of movie. It's fun, but like most of Spielberg's work, it feels like a theme park ride (not necessarily a bad thing but like I said earlier, not for me). All of the twists felt like they were there for the purpose of confusing the viewer instead of being used to further develop the plot. Because of this, it did feel a little long and had some scenes that were unnecessary.

almeida jumpscare

Better than I thought it would be.

Interesting concept. Really wish some of the other sci-fi elements were explored more the ship and car technology seemed cool but wasn’t delved into too much. What really hurts this movie is that it’s way too long and extremely cheesy. The tech is cool, the background is solid, there’s a lot of mystery to be unpacked but it just kind of drags on in the end.

This review may contain spoilers. I can handle the truth.

Stylistically, this film is fantastic. Once you start inspecting the movie and analyzing it, its seams get exposed during the exposition scenes.

Tom Cruise works in the division of precum