Steven Spielberg's been so good for so long we take him for granted. This one more than holds up as one of his very best -- and one of Cruise's best as well. I think might be his best performance.

loaded with Hitchcock references but especially to FOREIGN CORRESPONDENT, and with more than just the umbrella gag. the chases have the same goofy relish, too (the jetpack hamburger gag here might as well be the old guy trying to cross the street during the car chase in CORRESPONDENT). Hitchcock's film urged the U.S. to enter the war a year before Pearl Harbor, Spielberg's warned of a society willing to give up a few civil rights for possibly illusory safety not even a year after 9/11.

colin farrell's character introduces himself to tom cruise as "the twink from the Fed" #gayrights

6.5/10

A quite intriguing premise that unfortunately fell under the homogenizing “Spielberg-ness”. The execution of the moral debate surrounding “future crimes” could’ve been more acute if not dissolving in the cliché of “the-hero-saves-the-day” and “happily-ever-after”. (Call me cynical if you want.)

Insanely meta entry from Spielberg post-9/11. I wish Spielberg and Cruise kept the streak going. You can see Spielberg’s interest in what escapism in the future would look like. The club scene is incredibly cool to see considering READY PLAYER ONE. Also seems to have had an impact on BR2049. I see some similarities In the hearts of both films. I don’t think any director in the history of cinema has or will have the longevity that Spielberg has. Crazy thing is that he’s becoming very underrated, when he should be mentioned in the Mount Rushmore conversation.

www.metacritic.com/movie/minority-report

nesse filme o tom cruise corre bem

Underrated brilliant and timely Sci-Fi thriller, one of my favorite Spielbergs.

Moving pictures to show how you can't trust moving pictures.

I think it is a shame that Spielberg automatically considers movies like The Post to be more mature than movies like Minority Report. This is upper echelon Spielberg and I don’t think he has made anything this good since but who knows what’s to come?

That said, I am not giving this film a perfect score because certain lines of dialogue were dumb and the last thirty minutes were way too focused on the mystery element, which I found to be far less interesting than arguments about predeterminism and scenes of Tom Cruise hiding from mechanical spiders.

Spielberg is ridiculously entertaining. Some excellent visuals and ideas in this one, and some convoluted ones.

Remember when we used to adapt Phillip K. Dick and have a good time at the movies?