Synopsis
Love is a foolish game
Over the course of a midsummer night in Fermanagh in 1890, an unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.
2014 Directed by Liv Ullmann
Over the course of a midsummer night in Fermanagh in 1890, an unsettled daughter of the Anglo-Irish aristocracy encourages her father's valet to seduce her.
미스 줄리, Fröken Julie, SCAN'14: Freken Julija, Mademoiselle Julie
a bit baffled by the negative reviews because unstable rich baroness jessica chastain absolutely dominating her irish valet colin farrell by ordering him to toast her and kiss her shoes is exactly what i am looking for in my motion pictures? i mean, LOOK at the lboxd header!! the power dynamics between the two are deliciously intricate, constantly pushing and pulling and baiting and switching from cat to mouse and back again.
the incomparable liv ullman’s script (adapted from august strindberg’s 1888 play) and direction simmer in a palpable longing, eloquently critiquing our tendency towards false idealization of beautiful strangers. john (colin) grew up with a massive crush on miss julie (jessica), even proclaiming he would’ve died for her despite never…
TIFF 2014 film #15
Reason for pick: To quote my wife ( who picks all the picks ) “’Cause it’s Liv Ullmann and Chastain and Morton are in it” 'nuff said.
Having just recently watched Persona I was intrigued by the idea of Ullmann directing a film at this stage in her career and potentially how Chastain might be the modern realization of Ullmann's roles with Bergman. Both are beautifully sculptured women that you just know are complex and powerful under the skin. Both are capable of ice cold realizations that can turn on a dime to emotional fire.
Ullmann doesn’t shy away from Burgmanesque close-ups. As it happened, we were in a Cineplex AVX theatre that had a screen…
Crap, this was good! I'm in awe with the Oscars (and others) ignoring the wonderful performances from Chastain, Farrell & Morton. They put together some flawless acting that Oscars would love. If this isn't award-worthy, then I don't know what is. Cinematography was great as well, beautiful. Great, great movie.
Jessica, you're a goddess!!
Thoughts post-TIFF:
Time after time of trying to watch lavish period-piece films have left me disappointed. That nose-in-the-air snobbishness and issues I can't relate to just don't appeal to me. I know for a fact that, even with the intrigue of Liv Ullmann as a director, I wouldn't have cared to watch this film had it not been for the always great Jessica Chastain as the title character.
The play adaptation takes place over a midsummer's night in 1890s Ireland as Miss Julie attempts to sway the long-standing servant John (Colin Farrell) into seduction. We see that John is already committed to servant and cook Kathleen (Samantha Morton) and is hesitant to obey Miss Julie's orders - from kissing her…
Stirring performances can't salvage this uninspired, cinematically bland adaptation of one of August Strindberg's important works. Actress-director Liv Ullmann milked every acting spirit out of Jessica Chastain, Colin Farrell, and Samantha Morton in which turned out to be a powerhouse acting display which obviously delivered. But the real problem with the film is the fact that the drama 'stays' there. I know this piece is a stage setting, but Ullmann didn't elevate this piece into a 'film' material which then ultimately makes this a lifeless film adaptation.
The character of Miss Julie is undeniably challenging for any actress to play, but Jessica Chastain (with some accent hiccups) proved that she can play this rollercoaster-of-a-character. Colin Farrell and Samantha Morton also brought their A-games--most especially Morton who provided some grounded, more nuanced performance. Ultimately, it's an unbalanced, uninspired feature from Liv Ullmann despite some stupendous acting.
August Strindberg's Miss Julie is a story that begins with all the familiar conventions of the upstairs-downstairs drama: the impassable class divide, the long-suffering servants, the haughty baron's daughter who torments them. But over the 133-minute course of Liv Ullman's new film adaptation of Stringberg's 1888 play, those conventions are warped, eroded, and finally destroyed as its intense, multifaceted characters flit between costume drama, ethereal romance, Dionysian tragicomedy, grueling class warfare, sexual awakening, gothic horror and Hamlet.
These characters are given life by a supercharged pair of performances from Colin Farrell and Jessica Chastain. In a story that begins a little off-kilter and quickly veers off the emotional rails, often into pitch-black comedy, the commitment of both actors is essential,…
A finely crafted, well acted, carefully shot movie that is of a type I do not like to watch
a bit baffled by the negative reviews because unstable rich baroness jessica chastain absolutely dominating her irish valet colin farrell by ordering him to toast her and kiss her shoes is exactly what i am looking for in my motion pictures? i mean, LOOK at the lboxd header!! the power dynamics between the two are deliciously intricate, constantly pushing and pulling and baiting and switching from cat to mouse and back again.
the incomparable liv ullman’s script (adapted from august strindberg’s 1888 play) and direction simmer in a palpable longing, eloquently critiquing our tendency towards false idealization of beautiful strangers. john (colin) grew up with a massive crush on miss julie (jessica), even proclaiming he would’ve died for her despite never…
I'm surprised, very surprised. I found this quite interesting. The fact that a woman choose to adapt the work of a misogynist, and for some reason, she doesn't vindicate Miss Julie. Nope. I'm amazed by the performances in here, especially from Chastain, because I'm not a fan, but wow. She really goes to a dark place representing Julie. This really shows how Strindberg felt superior, how women were a step behind men, and I really wish Ullmann would have gotten some kind of revenge, but I mean, that doesn't happen.
The final shot is beautiful and heartbreaking. Poor Miss Julie.
Even though I think the story, from a female point of view could have gone different, I can deny this is a beautiful movie and the performances are great, so I would give it the stars that it deserves.
ps: no offense, we need a movie where Miss Julie kill John, because he's a bitch.
Yo no puedo creer lo mala que es esta película, se podría haber hecho todo en media hora o menos. Los personajes son malísimos y nunca debería haberse convertido en un largometraje, se nota que es obra de teatro.
The things I watch for Jessica Chastain 🙄🙄🙄
cleaner (though far from spotless) and not nearly as funny as the play (though it's been a while) but that's replaced with a calculated humanity and occasional tenderness🤤🤤 lotta rage still thankfully!! competently displayed by our gorgeous leads😍😍, jess got chops and then some!!!!! lovely theme toooo
What a strange movie that wasn’t at all what I expected. But once I got the idea that they’re really types representing class division, it became more interesting, although I had a hard time with just how awful John could be. There are lots of stunning bits but all in all, it just wasn’t for me and I didn’t love it.
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