Synopsis
In the post–World War II South, two families are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad.
Mudbound
Cast
Carey Mulligan Jason Clarke Jason Mitchell Mary J. Blige Garrett Hedlund Rob Morgan Jonathan Banks Kelvin Harrison Jr. Kerry Cahill Claudio Laniado Kennedy Derosin Dylan Arnold Lucy Faust Henry Frost Jason Kirkpatrick Elizabeth Windley Joshua J. Williams Piper Blair Rebecca Chulew Frankie Smith Roderick Hill
Director
Producers
Kim Roth Cassian Elwes Jennifer Roth Dee Rees Teddy Schwarzman Christopher Lemole Virgil Williams Tim Zajaros Paige Pemberton Carl Effenson Kyle Tekiela Sally Jo Effenson Daniel Steinman Charles D. King Poppy Hanks
Writers
Editor
Cinematography
Production Design
Composer
Sound
Costumes
Make-Up
Studios
Country
Language
Alternative Titles
Ферма «Мадбаунд», 치욕의 대지, 머드바운드
Genre
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Brutally heartbreaking, I was watching this on my laptop on the train and at many scenes I'm there crying my fucking eyes out and this guy goes "why are you crying are you okay?"
I replied saying
"It's cinema bro it's fucking cinema" -
There are a bunch of terrific performances, particularly from Mary J. Blige, Rob Morgan, and Jason Mitchell, but you've gotta sit through a very middling first hour to get to the part where it's worth it. And even when it is worth it, it's just building to the same type of climax any movie like this is building to, where the moral is "wow racism is awful and was a big cultural force in this era."
I'm over watching black pain like this. There's merit to it for sure, but I'm just... exhausted by it. I want more black movies that aren't concerned with delivering a modern-day moral about race in old settings. I want more stories that let black…
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I have said before, I believe, that I wish no one felt the need to tell these kinds of stories anymore.
It's a condemnation upon us that our stories have to show a black man save the life of a white man before he even considers a black man a human being. It's a deeper condemnation that this is not only believable, not only likely the extent that was required, but also that these stories still get told, still have resonance, still seem relevant in this world. That Ronsel requires this explanation to make sense of any kindness from Jamie characterizes America. The fact that almost no progress has been made in the 70 years since when this narrative is…
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it's the small gestures that stay with me: henry adjusting laura's discarded shawl while she dances, florence turning her back so she doesn't have to watch her son leave, jamie putting a bouquet of flowers in the shower he builds, ronsel making his mother eat a chocolate bar without saving it for later. love, love, love seeping into the fabric of the film, fighting to stay alive despite everything.
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The white farmers digging a grave for their father in the opening scene of Mudbound are about five feet down when they run into a problem: piles of bones suggest that the area has already been used as a cemetery of sorts for former slaves. It’s an inconvenience to them, but so much more for the movie, which at its best captures the way racial oppression has seeped into the very soil of America.
Full review here.
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50/100
So heavily narrated at the outset that it's practically a Fotonovel, and while the torrent of expository verbiage eventually dies down (resurfacing here and there), that just leaves a big hole where the movie's raison d'être should be. Reliable reports indicate that the book devotes many pages to exploring Carey Mulligan's character, who barely registers onscreen; Rees' decision to shift focus makes sense, but that approach required a more radical deviation from the source material than she apparently wanted to make. (Or a much larger budget, in order to properly tackle World War II.) After an hour of lifeless historical/sociological place-setting, the film finally gets a welcome jolt of energy when the two families' sons return home from the…
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72
An epic sliced down to two hours and some pocket change, and it hardly feels harshly truncated, emphasizing lean dynamics and painterly period detail over various asides. It would've excelled as a miniseries, but this will do.
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An extremely powerful and provocative work that serves as one of Netflix's absolute best original films, Mudbound is an intense, tragic, poignant drama from co-writer and director Dee Rees that manages to be both incredibly epic and achingly intimate, with terrific performances, a brutally honest script, and gorgeous cinematography throughout.
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WHY did this not get nominated for best picture. how are you going to expand the category to 10 slots, and nominate only 9 films while you ignore this one. thats going to baffle me for my entire life.
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