2001 Directed by David Lynch
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
Naomi Watts Laura Harring Justin Theroux Ann Miller Mark Pellegrino Robert Forster Brent Briscoe Dan Hedaya Angelo Badalamenti Monty Montgomery Lee Grant James Karen Chad Everett Richard Green Rebekah Del Rio Melissa George Jeanne Bates Dan Birnbaum Lori Heuring Marcus Graham Michael J. Anderson Patrick Fischler Michael Cooke Bonnie Aarons Geno Silva Billy Ray Cyrus Vincent Castellanos Wayne Grace Rita Taggart Show All…
Barbara Haberecht Scott Herbertson Samuel J. Tell Alan Baptiste Chris Fielding Kinney Booker Josh Fifarek Keith Sale Ben Booker
Charles Croughwell Jack Carpenter Jeremy Fitzgerald Corey Michael Eubanks Denney Pierce Janie Liszewski Sonny Tipton Samuel Le Scott Sproule Dana Reed Brian Avery Laura Lee Connery Joni Avery William Morts Gail Luane Munian
David Lynch Susumu Tokunow Patrick Giraudi Paul Timothy Carden Ronald Eng John Neff Ed Novick David Ho
Mulholland Dr., El camino de los sueños, El Camino de los Sueños, Mulholland Drive - A sötétség útja, Mulholland Çıkmazı, 멀홀랜드 드라이브, Cidade dos Sonhos, Malholanda ceļš, طريق مولهولاند, Мълхоланд Драйв, Mulholland Drive - Straße der Finsternis, Οδός Μαλχόλαντ, Sueños, misterios y secretos, جاده مالهالند, מלהולנד דרייב, マルホランド・ドライブ, მალჰოლენდ დრაივი, Calea misterelor, Малхолланд Драйв, Булевар звезда, ปริศนาแห่งฝัน, Малголленд Драйв, Con Đường Ảo Mộng, 穆赫兰道, 失憶大道, 穆荷蘭大道
Humanity and the world around us Thrillers and murder mysteries Intense violence and sexual transgression Gothic and eerie haunting horror Dreamlike, quirky, and surreal storytelling Surreal and thought-provoking visions of life and death Erotic relationships and desire Film-noir and dark crime dramas Show All…
France
Cannes Film Festival
Canada
Toronto International Film Festival
USA
New York Film Festival
Spain
Sitges Film Festival
Norway15
Bergen International Film Festival
Greece
Thessaloniki International Film Festival
UK
BFI London Film Festival
Italy
Torino Film Festival
Serbia
Belgrade Film Festival
FranceU
Philippines
USAR
Chile18
Canada18A
Switzerland16
South Korea18
Cameroon
AustraliaMA15+
Germany16
GreeceK-16
Austria
Ireland15
UK15
BelgiumKNT/ENA
Poland16
ItalyT
Japan
Netherlands16
PortugalM/16
Czechia
Spain18
Russian Federation18+
Estonia
Norway15
Lithuania
Turkey
Iceland16
Hungary16
South Africa
Brazil16
Finland
Denmark15
Sweden15
Argentina16
MexicoC
South Korea18
Netherlands16
Turkey16+
Czechia
Taiwan15+
France
France
France
Netherlands16
France
Netherlands16
Argentina
Australia
Austria
Belgium
Brazil
Cameroon
Canada
Chile
Czechia
Denmark
Estonia
Finland
France
Germany
Greece
Hungary
Iceland
Ireland
Italy
Japan
Lithuania
Mexico
Netherlands
Norway
Philippines
Poland
Portugal
Russian Federation
Serbia
South Africa
South Korea
Spain
Sweden
Switzerland
Taiwan
Turkey
UK
USA
"Hey pretty girl, time to wake up."
There was a time not too long ago when if you asked me what my favorite movie was I might have told you Mulholland Drive. There's a lot going on in the film and I certainly won't claim to understand all of it (something I might have done when it was my "favorite movie"), but I do have a reading of it that seems to answer a lot of the questions it poses, so here goes. No specific spoilers (hence no spoiler tag), but if you haven't seen Mulholland Drive you really ought to see it as blind as possible, and obviously proceed at your own risk.
The first half of the film…
me while watching the movie: what is going on, am i really that dumb, HELP, also the fuck is my mans billy ray cyrus doin' here, are you lost sugar?
me after the movie ended: what kind of donnie darko mindfuck was this, let's go to my old pal youtube, they will clear it out for me!
me after watching a 22 minute movie analysis video: THIS IS A MASTERPIECE. DAVID LYNCH IS A FUCKING GENIUS, also *coughs* i'm a genius for understanding it IMMEDIATELY OBVIOUSLY *coughs* what a fun lil' movie
i have so many questions after watching this but my main one is why was billy ray cyrus in this
100
Sixteen Reasons why I love Mulholland Drive:
1. The Jitterbug.
2. "Okay, Irene! Won't that be the day?"
3. "Napkin."
4. Billy Ray Cyrus.
5. The Cowboy.
6. David Lynch and his distorted view of American symbols - Hollywood auditions, diners, nightclubs, limos, and darkened hills.
7. The usage of the blue box as an existential portal for various detours and repetitions.
8. That camera push-in towards Betty as 'Sixteen Reasons' reaches its peak. Might as well be my favorite moment in all of cinema.
9. The refusal to tell conventional themes and popular history via typical narrative functions.
10. Lynch framing and elaborating on doubles and parallel universes without fully exploring or ruining the mystery of the similarities/differences.…
what if we kissed 🤔😍 at mulholland dr. 🛣 while [sinister music] 🎶 plays in the background and we're both girls. 💘🙈👩🏻🤝👩🏼
"It's all recorded. It is all a tape. It is an illusion." Believing in fiction because reality is so painful.
i feel like david lynch is directing my life because it all doesnt make any goddamn sense
"this is the greatest movie ever made," i say, as i watch the fifth 'mulholland drive explained' video on youtube and still don't understand anything
