Synopsis
The super shocker !
In 19th Century Paris, a maniac abducts young women and injects them with ape blood in an attempt to prove ape-human kinship but constantly meets failure as the abducted women die.
1932 Directed by Robert Florey
In 19th Century Paris, a maniac abducts young women and injects them with ape blood in an attempt to prove ape-human kinship but constantly meets failure as the abducted women die.
Bela Lugosi Leon Ames Sidney Fox Bert Roach Noble Johnson Betty Ross Clarke Brandon Hurst D'Arcy Corrigan Arlene Francis Iron Eyes Cody Agostino Borgato Charles Gemora Charlotte Henry Ted Billings Herman Bing Joe Bonomo Christian J. Frank Harrison Greene Harry Holman Edna Marion Torben Meyer Charles Millsfield Monte Montague John T. Murray Tempe Pigott Dorothy Vernon Michael Visaroff Polly Ann Young
El doble asesinato de la calle Morgue, Double assassinat dans la rue Morgue, Das Geheimnis des Dr. Mirakel
A wonderfully atmospheric Caligari-esque early Universal jam loaded with shadowy sets wonderfully shot by Karl Freund, disturbing torture/bloodletting scenes, and Bela Lugosi lighting up the screen as only he can—with his sideshow intro speech about evolution resulting in the local townsfolk calling him a heretic. His retort is something along the lines of:
“Do they still burn people for heresy here? Do you want to light the match?”.
That’s a big mood for sure, and his performance here has always stood out to me with its dreamy nuances and eerie insinuations.
I came across Murders in the Rue Morgue at a fairly young age via my grandfathers vhs collection—I knew who Lugosi was because of my Dracula obsession but I don’t think I’d seen…
Murders in the Rue Morgue might not be as strong as The Black Cat or as fun as The Raven, but it’s definitely top form Lugosi doing what he does best and loaded with some damn fine beautiful imagery to boot—can’t wait for the blu to hit!
"Don't you worry, darling. Look. There's all of our Paris spread out before us."
"I like to see the little lighted windows twinkling like stars. Wouldn't it be fun to know all that was going on inside those houses?"
"Perhaps it's just as well that we don't know. Think of what all those walls are hiding: broken hopes and bodies and hearts. Absent dreams, starvation, madness. Crimes of the streets and tragedies of the river. Paris - my city!"
Spooky Season #35
This Halloween was a great triumph in my view! I present to you my brilliant costume: Bride of the Creature from the Black Lagoon. Please, please, your applause is too much.
Wanting to close Spooky Season with a…
Universal horror very loosely based on the Edgar Allen Poe short story - with a few fantastical elements added. The plot here focuses on a mad scientist/carnival sideshow who is killing women by injecting them with ape blood, apparently to prove some sort of kinship between apes and humans. Despite only being an hour long, this one feels quite dragged out and the film doesn't catch fire until about the last ten minutes - mainly because the film is so keen to focus on elements outside of the base plot, which is a shame. The focus is unclear too, as there's no real mystery to the proceedings. Bela Lugosi is obviously the standout of the cast and he provides an…
Stylistic approach and mysterious worldbuilding get pushed to the background as tedious characters (except for Lugosi of course) and a dragged out plot are introduced in this forerunner of King Kong. All the same, the gorilla animations were stunning and the rooftop scene a vast pool of ideas and inspirations for the 1933 classic. Worth a watch!
Lesser talked about Universal gem opens with impeccable Universal atmos/super imagery and one hell of a Lugosi speech about heresy.
Come for Bela. Stay, for the expressionist cityscape and deranged ape/human hybrid experiments!
One of Universal’s more shocking pre-Code thrillers, along with Edgar G. Ulmer’s THE BLACK CAT. Lugosi’s second horror vehicle for the studio finds him running a carnival exhibit, where he has an ape he’s claiming is the missing link. Pffft, who’s gonna believe a carny?Except Bela’s also a mad scientist, and plans to prove them wrong by kidnapping women and testing their blood for compatibility. They keep dying on him, but a woman attending his most recent show looks to be a better specimen. It doesn’t get more explicit than that, but the film’s implied end-game pushed the limits of taste. Also, our protagonist Dupin seems to…
oh to be a beautiful lady that crazed bela lugosi with a unibrow kidnapped, tied up, and injected with ape blood in service of his heathen science experiments
What if instead of being a boring, stupid looking piece of shit, The Cabinet of Dr Caligari was a brisk, entertaining, gorgeously shot and handsomely produced creepy barn burner of a horror film? Robert Florey’s 1932 shocker, Murders in the Rue Morgue is what. Simultaneously elegant and salacious, MITRM is criminally underseen and deserves an enthusiastic reappraisal from horror fans.
Lugosi tears the goddamn roof off the joint with his unibrowed howler of a performance. This is the Romanian icon at his most creepily energetic. The rest of the cast is lively and a ton of fun. I love how this film injects humor and carefree youthful reverie into the proceedings to provide even starker contrast with the abominable illegality…
Do they still burn men for heresy? Then burn me monsieur, light the fire!
-Dr. Mirakle
Originally Robert Florey was supposed to direct Frankenstein with Bela Lugosi in the role of Dr. Frankenstein. When the studio tried to move Lugosi's role to the monster things started falling apart. Depending on who you believe Lugosi was either taken off the picture or refused to play the monster, either way he was off the film along with the director. A year later the director and actor found themselves again but this time on the Rue Morgue.
Murders in the Rue Morgue, inspired by a short story by Edgar Allan Poe, is a surprisingly sexual film with some misogyny thrown in. The movie…
Later in May I likely will watch a few movies in a row from the early 30's; movies leaving streaming services are one of the reasons why. This is not one of those films-instead it was chosen at random on YouTube. It is based on an Edgar Allan Poe story; if you're like me and haven't read The Murders in the Rue Morgue... that is irrelevant as I hear it is a rather loose adaptation.
What we got: it was 1845 France and two couples attend a carnival where one of the attractions is a doctor and his pet gorilla. Of course the doctor is Lugosi and of course there is outrage when he dare suggests that man has evolved…
Yes, it's basically horror as a 'beware the evil immigrant and his, uh, err, talking gorilla', but Bela Lugosi is popping here (in a genuinely weird hairpiece) and Robert Florey directs the heck out of it. (and at almost exactly an hour, how can it go wrong?)