Synopsis
In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.
2004 ‘誰も知らない’ Directed by Hirokazu Kore-eda
In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.
谁知赤子心, 无人知晓的夏日清晨, Dare mo shiranai, Nobody Knows - Die Kofferkinder, Никой не знае, Κανείς δεν Ξέρει, Nadie sabe, Nobody knows, איש אינו יודע, Anyátlanok, Nessuno lo sa, 아무도 모른다, Dziecięcy świat, Ninguém Pode Saber, Ninguém Sabe, Nimeni nu stie, Никто не узнает, Barnen som inte fanns, อาคิระ แด่หัวใจที่โลกไม่เคยรู้, Kimse Farketmiyor, Ніхто не дізнається, Không Ai Biết, 无人知晓, 誰知赤子心, 無人知曉的夏日清晨
To make something so beautiful, so tender out of something so tragic and heartbreaking takes a real skill. Hirokazu Koreeda has perfected it.
Not since Elephant Man has a film had this much of an emotional effect on me, it actually made me feel quite sick in my stomach in the last half hour and in the last 15 minutes or so I realised I was holding my breath.
The young actors have left me gobsmacked at how flawlessly they performed, they say very little but their every action makes you empathise with them that little bit more. Akira's scenes when he remembered how to behave like a child again were particularly touching but when the sucker punch comes, the…
Kids learn fast when they have to. Kids also don't really get the gravity of situations either. Sometimes a distressing situation is that way to all but kids, who come up with their own solutions with stark simplicity. To them every day is a new one, and so when a truly new day happens it feels like any other. As long as they can make it to the next, that's about as much as it matters.
Nobody Knows refers to the fact that nobody can know that these kids have been abandoned and live on their own, but really the title should be called Everybody Knows. The convenience store worker who sees a young boy with torn-up clothes and slovenly…
I appreciate Koreeda because he's the most mature, steady handed, subtle director I've ever seen. He will never try to create melodrama, instead he will quietly and gently break your heart.
“I’m not interested in creating heroes, superheroes, or antiheroes. I simply want to look at people as they are.”
(Quote from Hirokazu Kore-eda)
Enough said.
A heartbreaking tale of abandonment and survival, Nobody Knows takes a more extreme view on the mistreatment of children; but it's one that remains grounded in reality, showing how neglect can take away a childhood in an instant and replace it with experiences that no child should be subjected to.
Nobody Knows opens with the family in question moving into a new apartment. Only the mother and Akira, the protagonist, are known about by the other residents and only Akira is allowed outside. Even though the mother acts irresponsible, having had the four children via four different men and not allowing them to go to school, the family are content and happy as they are shown eating dinner and playing…
all the simple joys and the complex frustrations.
all the ringing laughters and the silent cries.
all the hidden anxiety and the false serenity.
all the meaningful stares and the fake smiles.
a few hours after watching this film, i am sat silently, still at a lost for words. 誰も知らない is a film so brutally honest you wouldn’t wish to have seen it. i still can’t process what i’ve seen. i loved it but can’t see myself rewatching it anytime soon.
i am angry crying for kids who were stripped of childhood, forced to grow beyond their age, and deprived of a future. throughout the film, you can see how the Fukushima siblings slowly lose their decent life. from Akira’s shoes…
creeps up on you and quietly shatters your heart into a million tiny pieces ........... kore-eda u got me again u got me GOOD 😢
Of abandonment. The painfully gradual realisation of having been left behind. Their cramped apartment houses more people than the landlord is aware of. They don't go to school; they have no friends. The agonizing passage of time turns their once-lively home into a messy and foul-smelling one.
Clothes bear holes and shoes turn dirty for the eldest boy; the only registered child of the household. Forced to mature beyond his years without a moment's notice. Forced to bear an adult's responsibilities at the age of 12. His siblings experience the vastness of the sky from the confines of four walls; he is the one who gets to experience it as it's meant to be.
Candles replace lightbulbs. Water stops. Smiles…
I used to think that Kore-eda movies feel like hugs but this one just breaks and breaks me, and not in a romanticized or sentimental way. It just kind of takes every bit off of me, renders me powerless, and by the end I feel like I'm left with nothing, not even a drop of tear, but a lifeless wisp of a human being.
I'll apologize beforehand in regards to what one will find themselves reading if it drives away from the film itself, but the moment a thought comes by when I want to talk about the impact of Hirokazu Kore-eda's Nobody Knows upon myself, I cannot help but tear up, and within a word I write about what has been captured here, and it affects me in a manner that almost felt so personal to myself. But before I start rambling, it is already hard enough trying to find where I should begin when I want to talk about Nobody Knows, one that I find so difficult to revisit because these feelings pain me so much. Whenever I come back towards my…
My heart weeps for these children. Sometimes it’s all too easy to forget that not everyone is so fortunate to have had parents that care. Care to take an interest, to show up, to actually be there when it matters and when it all goes down. Afterwards, upon finding out it’s based on actual events, what suffuses is a mist of anger. My blood boils for these (real, live) children.
Nobody Knows can claim Hirokazu Kore-eda’s most conventional narrative to date and nobody would put up much of a fight, but don’t get it twisted. This one isn’t for the faint of heart. Though it has no scenes of overt violence, and barely a tear is shed, what gives way…