As a fan of Sofia Coppola, Bill Murray, Jenny Slate, and dark blue color palettes, I could not be more disappointed. Is it a rom-com? Is it a satirical take on a rom-com? What is this?

Usually Coppola's work feels a little off but it's got this unique thing going for it that I can never put into words. It always keeps me interested, it's different! This....huh?? I guess I understand why the "bad acting" (up for debate) in The Bling Ring is a huge turn off for people because the performances in this were borderline unbearable. At the same time I blame that more on the screenplay.

For as good as it looks sometimes—I'm talking to you, shot of Bill Murray and Rashida Jones whipping through NYC in cool car—this is extremely stale.

As soon as Marlon Wayans starts talking about his company's social media engagement and follower growth I immediately do not trust him

sofia coppola discovers black people (sort of)

miss sofia coppola said this one goes out to all the overthinkers out there and i honestly feel so attacked right now

Feels strange to have to watch the new Sofia Coppola at home. Would have definitely supported in theaters.

Philippe Le Sourd shoots on 35mm -
Arricam LT, Panavision Super Speed MKII Lenses
35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219)

Watched on Apple TV+

sofia coppola and noah baumbach take alternate years to make films about ‘ordinary’ people who live in giant new york apartments and fly constantly like its free

Dear Sofia: You can just show up here and expect me to

SOMEWHERE 2020, the New York to that film's LA, a not-all-the-time father and an always daughter, gender roles and how we learn(ed) our expectations for those roles, fidelity (not just marital), all wrapped up in the bubble of privilege, and we're all older, a little more settled, and maybe not quite as cool anymore (except for Bill Murray). A tonic.

ugh it’s not BAD but it’s sofia’s worst. wish the whole movie had the vibe of the car chase sequence.

Okay.... where the rest of charlie's Angels at?🤨

I'll never even slightly doubt Sofia Coppola again, this is lovely stuff. Plot-wise it's something like the screwball comedies Baumbach was making five years ago (if it's no Mistress America, it's a better version of what While We're Young was trying for), but the emotional reserve and unhurried pacing is all Coppola's even if this gets more laughs from it than Somewhere. At the center is a Bill Murray performance at once much funnier than his usual "sad man of mystery" turns and an even deeper examination of the audience's relationship to him. The long (beautiful as always) shots give you plenty of time to ruminate on every movie that brought him to this point, as a sad, slightly pathetic, at least a little toxic old man who can still make you laugh better than anyone.

This is Minor Coppola, but still a few bursts of brilliance here.

these dad/daughter chronicles could have easily spared the toxic masculinity undertones 😩🙅🏽‍♂️

'On the rocks' is one of those harmless, inoffensive films that doesn't really leave you with much, but somehow still manages charm you.
Everyone's great in it, especially Bill Murray who steals every scene he's in.

Extra half a star for the fact the Rashida Jones wore a Beastie Boys shirt not once but twice.

Liked it, but this struck me as a promising note for what’s to come from Sofia Coppola. A filmmaker whose work matures with them, love to see it. Another entry in the ‘vibing with Bill Murray’ sub-genre. Coppola+Murray is a great combo and I’m happy to see them collaborating again. Ending’s underwhelming, but that didn’t sour the whole experience for me, just wish this had more intention to it.

I just wanna be nonchalant about being filthy rich and looking for things to complain about.

I screamed in annoyance when the act of Rashida Jones putting away her vintage Rolex just to put on an engraved Cartier was supposed to be some kind of narrative device...

That being said this was a nice breezy watch with a fair bit of heart. However, I almost entirely forgot it was a Sofia Coppola film until the final credits hit. Is that a good sign?

Finally got around to watching this and I enjoyed it. I love Sophia coppola and bill murray so it would have been hard to fuck this up but I was a bit disappointed there was no real climax. No worries though, still good but one of those movies that’s mostly just vibes.

This review may contain spoilers. I can handle the truth.

Had to finagle apple tv to watch this. It was worth it. Lots of people are trying to compare this to Lost in Translation and they are probably missing what's good about this. Its uniquely funny and great.

This was a really enjoyable watch. Rashida Jones and Bill Murray had a fun father/daughter relationship. Will watch again.

Simple story with a genuinely great and often touching father-daughter dynamic at the center of it. I wonder if the filmmaker or lead actress had a complicated relationship with her celebrity father. Seems unlikely but I have a hunch. Great to see Bill Murray in top form again. It is a crime that he and Jenny Slate didn’t get to share any scenes together. Otherwise good movie.

exquisitely calibrated character studies, not a shot out of place on or between the lines — especially cutting back to the lady on the couch after the action of the scene appears to have moved beyond her while the doubt of her sentiment lingers strong