Although Sergio Leone never really made anything better or more entertaining than The Good, the Bad & the Ugly in my opinion, he did come incredibly close to repeating that cinematic feat with this spaghetti western epic. A stunning work of blazing originality & featuring precision craftsmanship in nearly all departments of filmmaking, Once Upon a Time in the West is western in its purest form that fuses breathtaking art into the legacy of Wild West unlike any other example before or after it.

The story revolves around a small chunk of land which is the region's only water source. The family that owns the land is slaughtered by Frank & his gang, after which the ownership transfers to Jill, the widow of…

Beautifully composed, shot, and told, Sergio Leone's "Once Upon a Time in the West" is well deserving of its reputation as one of the best Westerns ever made. An epic story of lawlessness, vengeance, and the women and men conquering the untamed American west, Leone's film is meditative and gritty, sweeping and violent. It compels with its carefully composed aesthetic, archetypal-yet-specifically drawn characters, and grand themes.

Steeped in dirt, sweat, and stubble, Leone's film is made up of narrative threads well-known to genre fans. Murder, westward expansion, and frontier justice dominate the plot. The story focuses on a widow whose husband owned precious water rights near the town of Flagstone. With parties trying to forcibly rid the widow of her…

"Do you know anything about a guy going around playing the harmonica? He's someone you'd remember. Instead of talking, he plays. And when he better play, he talks."

What a pleasure it was for me to finally get to watch this masterpiece which I kept on putting off because of its nearly three hour runtime. I was blown away by Sergio Leone’s direction in The Good, The Bad, and the Ugly, and that was the only film of his that I’d seen up to this point, but now I honestly can’t say which of the two films I prefer. This is perhaps a better film because it is set on a grander and epic scale, but perhaps not as entertaining…

"There were no dollars in them days."

All of Sergio Leone's westerns have been about the arrival of capitalism (both to the historical American West and to then-contemporary 1960's Italy), but Once Upon a Time in the West takes a slightly more specific perspective. Instead of looking at the (monetary) value of life, it uses the symbol of the cowboy to chart how the arrival of capital and industry parallels the decline of traditional male heroism. Industrialization causes heroic masculinity to defensively over-inflate and begin to collapse in on itself. The film takes this macho war hero whose glory days are behind him and shows how society is moving forward without him. Removed from the spotlight, this symbolic centerpiece is…

Almost 50 years after it's release we're still guaranteed to be captivated by Once Upon a Time in the West's beautiful photography, the incredibly ambitious story, the untalkative ironic humor, the stylistic directing, the perfect ensemble cast and last but not least, Ennio Morricone's both grandiose and minimalist musical score. If there ever was a film that stood the test of time, without any signs of flaws, this is it.

Once Upon a Time in the West is - along side with The Good, the Bad and the Ugly - my favourite Sergio Leone western. It describes one of the most mythical eras in American history: The building of the Pacific Railroad.

As the thematic and manufacturing scale of the…