Synopsis
One day in the life of Anders, a young recovering drug addict, who takes a brief leave from his treatment center to interview for a job and catch up with old friends in Oslo.
2011 ‘Oslo, 31. august’ Directed by Joachim Trier
One day in the life of Anders, a young recovering drug addict, who takes a brief leave from his treatment center to interview for a job and catch up with old friends in Oslo.
Motlys Don't Look Now Norsk Filminstitutt Nordisk Film & TV Fond Storyline Studios Norsk Filmdistribusjon NRK DR SVT ARK
Oslo, August 31st, Oslo, 31 de Agosto, 八三一斷魂曲, Осло, 31-го серпня, Осло, 31 август, Oslo, 31. August, Όσλο, 31 Αυγούστου, Oslo, 31 de agosto, Oslo, 31 août, אוסלו, 31 לאוגוסט, Oslo, augusztus, オスロ、8月31日, ოსლო, 31 აგვისტო, 오슬로, 8월 31일, Oslo, 31 sierpnia, Осло, 31-го августа, Oslo 31 Augusti, Oslo: 31 Ağustos, 奥斯陆,8月31日, 八月三十一日,我在奧斯陸
Film #10 of Make me watch your favourite.
Recommended by Steve.
Films this honest and sincere deserve nothing other than 5 stars.
We get one day. One day to explore the life of one man. And while we are experiencing that day, dissecting his character, seeing the world through his eyes, we learn a little bit about ourselves. About how fallible we are, how narrow minded we can be and that, in the end no matter how often we reach out, we are here to fight our own battles. Battles which are sometimes impossible to win.
Following a day in the life of a recovering drug addict who is out of rehab for one day to go to a job…
The world does away with the depressed. The depressive individual is met with a superficial environment in which mental health is not only heavily stigmatized, but the depressed person is seen as a burden & a bummer. The absence of a smile across one's face is inappropriately treated as a load which the "happy," or the blissfully ignorant, wrongly see themselves as having to carry. So the "happy" slowly distance themselves from the "sad." No room for individuals who are considered downers in a world fueled by shallow serotonin shifts, inauthentic beauty, and the faux contentment of monetary obsession.
Genuine smiles -- and genuine happiness -- aside, sorry for not being able to put on a fabricated one. Apologies, that you…
"If someone wants to destroy himself, society should allow him to do so."
Opening with a Resnais perspective about the entrails of a city and its inhabitants, developing the story with a Moodysson-like minimalist and introspective style, and concluding with an Antonioni fashion, Oslo, 31. august is a depressing character study of a man's weaknesses and his incapability to cope with a society that has condemned him so much for reasons that we are never mentioned so that we do not have any moral or judgmental bias beforehand.
Human hipocrisy is endless. Man thinks he is the perfect juror of the world, even assigning degrees of seriousness to immoral acts, but forgets about his own faults, like if one particular…
It’s hard to say I ‘like’ Oslo, August 31st as it’s just so damn sad. Sad in a completely uncontrived, realistic way. It’s the type of sad that gets under your skin and chills your soul.
I knew right from the beginning that Anders end was fait accompli. What affected me most were Andres’s reflexive spasms in the form of small cries for help. Even if answered, I know the help would not have been accepted. As the day progresses, even these basic instincts of self preservation dwindle.
Just after I finished watching, I wished that the second half of the film was more like the first. While the first half was unique and soul wrenching, I thought that the…
yes i actually watched oslo, august 31st on the 31st of august⠀
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“Look at my life. I'm 34 years old. I've got nothing. I don't want to start from scratch.”
Oslo, August 31st explores the mundanity of our lives through the eyes of Anders: a drug addict giving up on life. Throughout the course of the film, Anders sees the many people he knows and loves move on to start families and do something important with their lives, while he’s stuck in a perpetual cycle of addiction desperately trying to rid himself of those demons. He wanders the city of Oslo searching for meaning in this somewhat purposeless life of his. As he finds himself stuck, stuck in a spot in which recovery or tragedy could occur at any moment. And no one or…
so vulnerable to familiar trappings of a drug-addict-in-recovery story, and yet...my heart is especially sore and tender for this one. maybe because anders is strangely endearing in his coldness. he navigates with a kind of numbness that makes him hard to read, but you still feel his embarrassment, despair, and skepticism. the job interview scene shows how charismatic and brilliant he can be, a realization that makes his gap years even more unbearable and heartbreaking. anders, of course, leaves in a huff when further questioned.
joachim trier follows anders with complete empathy. as viewers, who have only known anders for the unfolding day, we exist somewhere between the old friends he visits throughout the day (some of whom react like…