Synopsis
There is a reason they woke up.
A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 90 years early.
2016 Directed by Morten Tyldum
A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 90 years early.
Chris Pratt Jennifer Lawrence Michael Sheen Laurence Fishburne Andy García Vince Foster Kara Flowers Conor Brophy Julee Cerda Aurora Perrineau Lauren Farmer Emerald Mayne Kristin Brock Tom Ferrari Quansae Rutledge Desmond Reid Emma Clarke Chris Edgerly Fred Melamed Matt Corboy Jesus Mendoza Alpha Takahashi Matthew Wolf Jean-Michel Richaud Jon Spaihts Curtis Grecco Joy Spears Steph Allen Kimberly Battista Show All…
Rafael E. Sánchez Anthony 'Spike' Simms Joel C. Warren David McLendon Greg Etheredge Jason M. Thompson Manny Tapia Brad Irvin Joy Britt Ryan Ketchum Ted Nimz Anurag Deshmukh
David Lazan Kevin Constant Luke Freeborn John Collins Gregory S. Hooper Paula Loos Gary Warshaw Ravi Bansal Richard K. Buoen Drew Monahan Michael H. Ward Andy Chung Brittany Hites Hugh D.G. Moody Edon Guraziu
Gene Serdena Scott Herbertson Karl J. Martin Dean Wolcott Josh Lusby Mark Hitchler Mark Kwiatkowski Noelle King Anshuman Prasad Randall D. Wilkins C. Scott Baker Robert Andrew Johnson Bria Kinter Steven M. Saylor John Moredock Jeffrey D. McDonald Chuck McCourt Patrick Dunn-Baker Maxwell Britton Blade Ladish Allen Coulter Eitan Sonnenberg Katie Childs Charlotte Lee Dana Corbett Patrick S. Johnson
Brian Adler Greg Baxter Erik Nordby Pete Dionne Gabriele Zucchelli Tomi Nieminen Alex Guri Carlos Ciudad Francesco Ricciardelli Santiago Colomo Aleksandar Horak Amir Qureshi Ayushi Chaudhary Cenay Oekmen Edward Ferrysienanda Forbes Hill Kapil Dev Anand Rahul Sinha Rajeev K.J. Vikramshil Narwade Sam Spacey Alok Ogale Gopi Krishnan Ivan Castane Capel Jacob Yorke Maya De Rivia Shih Ling Huang Wakeel Ahmad William Colaluca Jesse Morrow Ranjeet Singh Kenneth Nelson
Stephen Boxer Jake Teague Garrett Warren Brett A. Jones Kurt D. Lott Trevor Habberstad Tony McFarr Victor Winters-Junco Renae Moneymaker Garrett Hammond Spencer Stone Loren Dennis Keone Kim Jason Shupe McLane Snow Cord Walker
J.M. Davey Nerses Gezalyan Whit Norris Robin Harlan Chris Terhune Lee Gilmore Sarah Monat Kevin O’Connell Will Files Katherine Rose Phil Barrie Joe Lemola Christopher Flick Justin M. Davey Jeff Gross
Wanda Pictures Columbia Pictures Village Roadshow Pictures Original Film Company Films Start Motion Pictures LStar Capital
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PASSENGERS WRITER 1: what do we name jennifer lawrence's character who is woken up from deep sleep by a man
WRITER 2: um.... aurora? lol
WRITER 1: greg your talent is unparalleled. here are my keys go fuck my wife
PASSENGERS ends with an Imagine Dragons song about gravity. I'm not really sure what else needs to be said.
(okay, one more thing… an errant thought i had watching this watered down spectacle, which has been scientifically smoothed down for the lowest common denominator: the difference between studio films and indie films is significantly greater than the difference between film and television).
(okay okay, one MORE thing:
Chris Pratt: "i just wanted to give you some space."
Jennifer Lawrence: "SPACE is the *last* thing i need!"
end scene.)
Imagine: you're awakened 89 years early but instead of Chris Pratt you're greeted by Danny DeVito
imagine being so desperate for human contact that you think spending the rest of your life with only jennifer lawrence for company isn't such a bad idea
Huh. Didn't... hate this. The premise is solid, there are real ideas here about isolation and romance founded on betrayal, and for at least its first 2/3s it treats Pratt's undoubtedly horrific act as nothing less than what it is: a disgusting, selfish choice, recognizably akin to rape/murder, made by a desperate creep. That he doesn't even look around for a fellow engineer or a doctor or anyone who might have skills to help him, and instead zeroes in on sexy young blonde, is absolutely the point. The bigger problem here is Morten Tyldum, who is incapable of giving these events the proper focus—this is a gross movie, intentionally framed from the pov of an abuser, so why is this so corporate, sexless, and inoffensive? (spoiler: $$$$) Where's the sleaze? The horror? The pain? Can't help but imagine how good this would be with another draft and Paul Verhoeven.