Synopsis
There will be no order, only chaos
The debut film from Darren Aronofsky in which a mathematical genius Maximilian Cohen discovers a link in the connection between numbers and reality and thus believes he can predict the future.
1998 Directed by Darren Aronofsky
The debut film from Darren Aronofsky in which a mathematical genius Maximilian Cohen discovers a link in the connection between numbers and reality and thus believes he can predict the future.
Sean Gullette Mark Margolis Ben Shenkman Pamela Hart Stephen Pearlman Samia Shoaib Ajay Naidu Kristyn Mae-Anne Lao Espher Lao Nieves Joanne Gordon Lauren Fox Stanley B. Herman Clint Mansell Tom Tumminello Henri Falconi Isaac Fried Ari Handel Oren Sarch Lloyd J. Schwartz Richard Lifschutz David Strahlberg Peter Cheyenne David Tawil J.C. Islander Abraham Aronofsky Ray Seiden Scott Franklin Chris Johnson Sal Monte
Pi, el orden del caos, 死亡密碼, 3.14159265358, π, Hằng Số Pi, Пi, Pi greco - Il teorema del delirio, Pi - System im Chaos, Кодът Пи, Pi - Der Film, Π, Pi, fe en el caos, Pi: Fe en el caos, Pí, 파이, Пи, Пі, Hằng Số Pi: Tìm Kiếm Niềm Tin Trong Sự Hỗn Loạn, 死亡密码
Faith and religion Humanity and the world around us Surreal and thought-provoking visions of life and death Humanity's odyssey: earth and beyond Imaginative space odysseys and alien encounters Thought-provoking sci-fi action and future technology Fascinating, emotional stories and documentaries Show All…
I give this movie about 3.1415926535897932384626433832795028841971693993751058209749445923078164062862089986280348253421170679821480865132823066470938446095505822317253594081284811174502841027019385211055596446229489549303819644288109756659334461284756482337867831652712019091456485669234603486104543266482133936072602491412737245870066063155881748815209209628292540917153643678925903600113305305488204665213841469519415116094330572703657595919530921861173819326117931051185480744623799627495673518857527248912279381830119491298336733624406566430860213949463952247371907021798609437027705392171762931767523846748184676694051320005681271452635608277857713427577896091736371787214684409012249534301465495853710507922796892589235420199561121290219608640344181598136297747713099605187072113499999983729780499510597317328160963185950244594553469083026425223082533446850352619311881710100031378387528865875332083814206171776691473035982534904287554687311595628638823537875937519577818577805321712268066130019278766111959092164201989
stars.
Darren Aronofsky's feature film debut presents the now famous director experimenting with different aspects of filmmaking to carve out his own distinct style and contains all the elements that are now associated with his works, be it the theme of obsession, biblical motifs, inventive use of camera angles, heavy use of montages, isolated characters or surreal structure.
Pi (π) tells the story of a brilliant mathematician who believes there are patterns everywhere in universe and attempts to find the same in stock markets to determine its rise n fall on basis of his calculations. But his increasing obsession with numbers ultimately results in his own self-destruction when he's driven to the brink of madness by the people who are after…
If someone asked you to guess who directed this it would take approximately four seconds to say Darren Aronofsky.
for 84 minutes, Darren Aronofsky swears that he is just as good as David Lynch by making Eraserhead for guys who play sudoku
Frantic pacing, harsh cinematography and a wicked score all complement the increasing paranoia of Max, who has been given a gift from god and believes he is the answer to all of the universe’s questions.
I didn't really want to review this film as there's not a great deal to say about it that people haven't already done so. Darren Aronofsky's debut film is a bizarre, surreal, intelligent, paranoia fuelled film about a mathematician who's trying to uncover the patterns of the universe.
The main reason I wanted to talk about this film is because Clint Mansell's score is in my opinion one of the best scores I've heard in any film. It's an expertly constructed piece of work that helps to elevate every aspect of this film. The score is perfectly intertwined with the central character of the film, and works as his inner monologue to reflect his different mental states throughout the film,…
One of the best films about obsession I’ve seen. With a grainy, black and white picture which happens to be Aronofsky’s first feature he proves what he is capable of. He creates hauntingly disturbing imagery perfectly accompanied by Clint Mansell’s Matrix-reminiscent score (and this was released one year before The Matrix). Sean Gullette portrays a mathematician who gradually plunges into a world dominated by delusion, madness and obsession and he does this with such a confidence, a great performance by a very little known actor. One of Aronofsky’s finest films.
52 in 52 - Film #19
Aronofsky Ranked
1998 Ranked
FTWs 2019
Is he really insane or just insane enough to make the discovery of a lifetime! Watch the film and decide for yourself!
Intriguing premise to say the very least! An exceptionally clever film done on a wing and a prayer! And it paid off!