Synopsis
Ever wonder?
The unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941.
2017 Directed by Angela Robinson
The unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941.
Luke Evans Rebecca Hall Bella Heathcote Connie Britton J.J. Feild Chris Conroy Oliver Platt Maggie Castle Alexa Havins Allie Gallerani Christopher Jon Gombos Forry Buckingham Frank Ridley Ken Cheeseman Tom Kemp Christopher Paul Richards Sebastian Wood Pamela Figueiredo Allie Marshall Acei Martin Olivia Filleti Lexie Roth London Hall Larry Eudene Logan Raposo Kristen Anne Ferraro Shawn Contois Ian Dylan Hunt Jessica Rockwood Show All…
Andrea Sperling Amy Redford Terry Leonard Joey Soloway Kai Cole Michael Steiner Buzz Koenig Clare Munn
Professor Marston e as Mulheres-Maravilhas, פרופסור מורסטון ונשות הפלא, Professor Marston & The Wonder Women, 원더우먼 스토리, פרופסור מרסטון והוונדרוומן, פרופסור מרסטון ונשות החיל, פרופסור מרסטון ונשות הוונדרוומן, פרופסור מרסטון ונשות הוונדר, La genesi di Wonder Woman, El profesor Marston y las mujeres maravilla, Wonder Women y el profesor Marston
would you believe me if i told you that one of the most genuine love stories of the year is between the two women in the polyamorous bdsm relationship that inspired wonder woman?
if someone tells you bisexuality isn't real, tell them to watch this movie. not only does it have explicitly bisexual characters, but the three protagonists are so hot anyone who watches it will have a hard time remaining 100% straight. then, after they watch this underrated little gem, you can tell them to fuck off.
A movie to get off on—erotically, intellectually, humanistically, sociologically. The first movie I’ve seen that made me want to read a comic book.
sometimes a family can be two mothers, their kids, and their barely-there male sidepiece
Hello everyone and welcome to my TED Talk about why Elizabeth flirting with Olive right after she said "Freud is full of shit" is the peak of feminism.
god i wish that was me (now you’re all left to wonder whom it is that i’m talking about) (kidding, it’s all three of them)
nothing like spending sunday, the day of the lord, watching a movie about a poly relationship with two bi women who's into bdsm
Fable romantico-érotique plutôt que biographie factuelle, le film est chaleureux, beau et inspirant. Que les choses se soient réellement passées ainsi est peu probable, mais à voir la connivence des trois acteurs et le plaisir certain qu'ils éprouvent à jouer ces scènes, on se permet d'y croire, le temps d'un film somme toute réussi.
Love the teaching style that's just writing one word on the board in block letters and defining it
I don't review films on their merits as a film just on their ABDL content. This is why I don't assign ratings:
I haven't seen the whole film so there may be something I missed but as far as I know there is nothing explicitly ABDL in this movie but it does explore BDSM and some of the dom/sub dynamics that also exist in ABDL.
dit had echt heel goed kunnen zijn maar toch was het niet zo
[edit] dus dat ga ik hier even uitleggen.
Waarom krijgt deze film zulke hoge reviews? Ik ben echt goed in dingen leuk vinden maar ik zou echt niet weten HOE bij deze film. Het acteerwerk ontbreekt enorm aan nuance. Het plot is voorspelbaar en tegelijkertijd overhaast neergezet. Seksuele spanning is de leidraad voor de film maar elke keer als een scène een licht seksuele sfeer krijgt begint er kermismuziek te draaien, gecombineerd met wat 'haha wat hebben we het toch leuk'-sfeerbeelden in een ongemakkelijke edit. Ik denk dan: doe het goed of doe het niet. Erg jammer voor een verhaal dat zo veel potentie heeft om meeslepend te zijn.
het leukste was het blikje fernandes maar dat was non-diegetic (haha) (yes i did film studies)
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