There is a very long list of things I'd let Alain Delon do to me.

my favorite part was alain delons's face

88

Alain Delon's charm and sculpted beauty is given a serrated edge in Purple Noon - a loose adaptation of Patricia Highsmith's 'The Talented Mr. Ripley'. So very much a performative film, in the false beauty of landscapes and people, and mostly about the dedication of being a convincing actor of the self. Its tension and sunbaked gloom is a knockout combo.

if i looked like alain delon i'd wanna kiss myself in the mirror too...

Alain Delon was in the running for The Most Handsome Man To Ever Exist and I think he just won

will be sexting alain delon via ouija board tonight

god spent a little more time on Alain Delon

Everytime it zoomed in on Alain Delon’s eyes this hideous groan of lust came out of me

tom: i’m like dropping hints that i’m philippe greenleaf 
tom every five minutes to every random person on the street: i’m philippe greenleaf

Could’ve used more homosexuality

Großartig, straff, spannend bis zum Schluss. Delon sowieso eine Augenweide. Schockiert hat mich vor allem, dass es 55 Minuten gedauert hat, bis mal jemand geraucht hat, wenn ich das richtig mitbekommen hab.

Baik versinya Minghella atau Clément, dua duanya punya daya tarik dan kekurangannya sendiri, buat gw keduanya saling melengkapi. Tapi paling lengkap sih kalo seandainya Alain Delon jadi Tom Ripley trs Jude Law yg jadi Greenleaf😂

if alain delon murders me do NOT prosecute him!! HE caught ME slipping!! that is on ME!!!

After watching The Talented Mr Ripley and then this, I have to say I much prefer this treatment of the story. Alain Delon (extremely handsome and mesmerizing) plays Tom Ripley, the sociopathic con man who is sent to retrieve a rich industrialist’s son in Italy, as more cold and calculating. It makes for a more believable and fascinating portrayal than the awkward and clumsy version Matt Damon plays. I think have Ripley surrounded in an aura of mystique works better than delving into his inner workings like the 1999 version does. It also has a much tighter script, excluding much of the bloat that featured in the 1999 version. The ending is probably the weakest part of this version as Clément pulls back from allowing a more sinister finale. The definitive treatment of the Tom Ripley character.

100/100

100/100

This 1960 adaptation of The Talented Mr. Ripley stars Alain Delon as Ripley. Sixties French cinema and Ripley are a good match, and the film is really beautiful, smoothly going through the web of lies this ambitious sociopath builds. It’s a bit less of a thriller than the well-known American adaptation, more atmospheric. Both are great films, of course, and it’s a great example of how you can get two substantially similar yet very different-feeling films out of the same material. I enjoyed it a lot. It was also interesting to note the fact that American characters were being played by French-speaking, French actors. We’re quite used to the inverse, obviously, but I think this is the first time I’ve seen that trick pulled the other way, and it was interesting — not distracting, just interesting — to have that experience turned around.

proper classic

My first Alain Delon movie. 
Still questioning my sexuality.

La facha de Alain Delon.
Muy buena.

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Purple Noon

Rating: 7/10

Second magnificent blue sky and ocean film of the night! Alain Delon looks to die for! His striped suit! His white suit! The suitcases! Everything! Suit-related and not!
I don't know if I prefer this ending or the American adaptation, but this ending was truly grand for the character and his aims, it felt very good. I think I shall surely watch this again, its the kind of film I'd like to live within and those are my favorite. Minus all of the stressful stuff of course, though I found the majority a colorful aesthetic feast for the eyes.
Call me by your catch me if you can!