Andrea Arnold’s debut is a palpably unsettling, provocative chamber piece, one interested in using the base elements of a thriller and reconfiguring them into something much more unconventional.
The filmmaker is skilful in pushing on the limits of identification, placing us with Jackie (Kate Dickie) as her almost voyeuristic obsession starts to take hold. The story does an excellent job of probing this troubled mind, Arnold matching that state with her brilliantly inventive style—a mix of social realism and poetic hyperstylation, putting us into Jackie’s headspace as we’re thrown into the middle of this situation.
It’s the sort of film that really gets under your skin, keeping us in the dark for most of the runtime so that we share…