2008 Directed by Sam Mendes
A young couple living in a Connecticut suburb during the mid-1950s struggle to come to terms with their personal problems while trying to raise their two children. Based on a novel by Richard Yates.
Scott Rudin Productions BBC Films Neal Street Productions Evamere Entertainment DreamWorks Pictures Goldcrest
A szabadság útjai, Дорога перемен, Les Noces rebelles, レボリューショナリー・ロード 燃え尽きるまで, جاده انقلابی, Дорога змін, 레볼루셔너리 로드, Zeiten des Aufruhrs
Moving relationship stories Humanity and the world around us marriage, emotion, romance, feelings or relationships marriage, drama, family, emotional or emotion emotional, emotion, sad, drama or illness emotional, emotion, family, moving or feelings romance, emotion, relationships, feelings or captivating Show All…
who needs couples therapy when you can invite Michael Shannon over for dinner.
Catching up with the Sam Mendes films I haven't seen. Really glad I am because so far, Jarhead and this film have been much more enthralling for me than American Beauty and Road to Perdition. Loved the script, performances, production design, and cinematography. Looking forward to Away We Go.
Arricam LT, Zeiss Master Prime Lenses
Arriflex 535B, Zeiss Master Prime Lenses
Kodak Vision2 200T 5217, Vision2 500T 5218
Watched the Blu-ray - rented from Netflix
it's late but i don't feel like going to sleep yet, so here's some rambling about a movie i haven't seen in about 8 years.
everybody was talking about ~Leo~ because of the golden globes, and it made me think of this movie, which i actually think about a lot. i saw it once, in the theater 8ish years ago with some bozo girlfriends who i didn't feel like arguing with, and i remember hating it almost instantly. something about it got on my nerves, and i became more and more furious about this whole "sad annoying white people" narrative that i was sitting there rolling my eyes and seething. i'm fine with unlikeable characters but not if the whole…
If Jack and Rose shared the plank of wood and both survived the sinking of the Titanic...
This is what would've happened.
Rose: So now I'm crazy because I don't love you, right? Is that the point?
Jack: No! Wrong! You're not crazy, and you do love me. That's the point, Rose.
Rose: But I don't. I hate you. You were just some boy who drew a naked portrait of me once, and now I loathe the sight of you. In fact, if you come any closer, if you touch me or anything, I think I'll scream.
Jack: Oh, come on, stop this Rose.
[He touches her for an instant and she screams at the top of her lungs before…
What kind of sick contract does Leo and Kate have to sign where they both have to be miserable on screen? Apparently if Jack and Rose had survived, their lives would have been just as tragic.
And indeed, this is a damn movie not for the depressed. I haven't seen Blue Valentine yet, but I wouldn't be surprised if this film was the equivalent of that movie but set in the days of yore. In my opinion, the effectiveness of the film is largely due to the performances and the recognizable yet visceral score by Thomas Newton that manages to unleash a torrent of emotions that will definitely not leave you indifferent. Winslet's performance here especially reminded me a lot…
i refuse to believe that leonardo dicaprio is 6ft tall, the man just radiates short energy
