Synopsis
Part man. Part machine. All cop. The future of law enforcement.
In a dystopic and crime-ridden Detroit, a terminally wounded cop returns to the force as a powerful cyborg haunted by submerged memories.
1987 Directed by Paul Verhoeven
In a dystopic and crime-ridden Detroit, a terminally wounded cop returns to the force as a powerful cyborg haunted by submerged memories.
Peter Weller Nancy Allen Dan O'Herlihy Ronny Cox Kurtwood Smith Miguel Ferrer Robert DoQui Ray Wise Felton Perry Paul McCrane Jesse D. Goins Del Zamora Calvin Jung Rick Lieberman Lee de Broux Mark Carlton Edward Edwards Michael Gregory Freddie Hice Neil Summers Gene Wolande Gregory Poudevigne Charles Carroll Kevin Page Yolonda Williams Tyrees Allen John S. Davies Laird Stuart Stephen Berrier Show All…
Gilbert B. Combs Freddie Hice Gene LeBell Russell Towery Jeannie Epper Spiro Razatos Frank Ferrara Greg Wayne Elam Randy Fife Joe Finnegan Vickie Creach Mike Shanks Jamie Bunch Jackie Resch Gary Combs Debbie Evans
David A. Whittaker Stephen Hunter Flick Donald Flick Avram D. Gold Carlos Delarios Michael J. Kohut Aaron Rochin Michael J. Benavente John Pospisil James Christopher Robert Wald Steve Bartlett Dan Sharp
Robocop: The Future of Law Enforcement, Robocop - Il Futuro Della Legge, 机械战警, 로보캅 1, ロボコップ:1987, Робокоп, রোবকপ, Ρόμποκοπ: Ο Μπάτσος Ρομπότ, پلیس آهنی, רובוקופ, रोबोकॉप, Robocop, Robotzsaru, ロボコップ, 로보캅, Robotas policininkas, Superglina, RoboCop - O Policial do Futuro, Robocop - O Polícia do Futuro, Робокап, ரோபோகாப், โรโบคอป, Cảnh Sát Người Máy, 机器战警, 鐵甲威龍, 機器戰警
Crime, drugs and gangsters Monsters, aliens, sci-fi and the apocalypse High speed and special ops Thought-provoking sci-fi action and future technology Guns, crime, and violent action Brutal, violent prison drama Explosive and action-packed heroes vs. villains Martial arts and intense combat Show All…
Out of all the amazing, perfect things in this, by far the coolest is that the leader of the hardest gang in Detroit is a balding, middle-aged white guy with glasses who looks like a high school principal, and it totally works. Clarence Boddicker 4 Life. The GOAT movie villain.
Make sure if you can to get the extended "Director's Cut" which only features an extra gloriously gratuitous 10-15 seconds of that OCP executive getting absolutely shredded by gunfire. Trust me, it's worth it.
"When people jerk me off, I kill them!"
Masterpiece. Looks great, score rules, satire is absolutely on point all the way down. That employee's excitement as their boss is about to be shot through the window. "Lee Iacocca Elementary School" as a throwaway detail. I'd buy that for $3.99 with a 30-day window to start watching with a 48-hour period before expiring upon pressing play!
Whenever I hear people say this is dated I want to slap the nonsense out of them. A company that profits on privatized public sectors taking over a bankrupt Detroit in order to pave the way for an ultra-gentrified wealth haven? This shit could have been made yesterday, and I bet the new one won't feel half as relevant the weekend it comes out as this does 27 years later.
Reagan era economics, corporate privatization of public services, and of course militarization of police wrapped into an ultraviolent sleazy pulp satire—that this is still as politically relevant as ever is terrifying.
The Soul of Man Under Capitalism
I've seen this a million times, as all Americans should be required to by law, but on this viewing, I realized what's the best shot in the movie. While Robo is drilling Dick Jones with a million bullets, the camera cuts away to Bob Morton's middle-manager buddy ("tastes like baby food" guy) getting out of his chair, grinning. Sure, he's happy the guy who killed his friend is getting what for, but he's also anticipating Jones' vacancy in the corporate hierarchy. Cannibals, All!
Verhoeven's masterpiece.
A true eighties classic;
an extraordinary director at the very top of his game.
I cannot believe this was my first time seeing it.
An inspiring tale of how a handicapped man returns to, and excels in, the workforce.
This movie is violent, vulgar and schlocky. Our protaganist, played by a Peter Weller, is introduced and killed within 20 minutes, graphically blown apart by a criminal gang. One character, near the end of the film, is maimed by toxic waste and killed when a car hits him and he explodes. But this isn't gratuitous violence; it exists in dialogue with story and theme. Robocop takes place in a future Detroit where crime is out of control and the police are unable to restore order. A megacorporation "partners" with law enforcement, using the crisis to develop and sell new military equipment, including combat robots meant to take the place of beat cops. The company will clean up the streets, turn…