Synopsis
Sacrifice and Temptation
Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him.
1965 ‘Simón del desierto’ Directed by Luis Buñuel
Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him.
Simon pelarhelgonet
Robert Beksinski's #8 Film Selection for Edgar
Loosely based on the real story Saint Simeon Stylites, a 5th Century Syriac ascetic saint who achieved fame for living 37 years on a small platform on top of a pillar near Aleppo in Syria, Buñuel's Simón del Desierto has been a film long-discussed regarding its possible implications and allegorical conclusion when, in fact, Buñuel ran out of funds and was forced to end the film abruptly. It does feel butchered regarding the scope of his intentions.
It has been written that "an abrupt, ill-suited ending suggests that Buñuel either tired of the subject and wanted to move on to other things, or that he ran out of money and had to wrap…
Simon is a dirty beatnik who hangs out on top of a tower until the super-nice townsfolk who didn't know what to get him for a present get him an even taller tower to further inflame his vanity, which he is totally about. Simon is kind of a jerk and only digs laying heavy judgements on locals and not hanging out with his mom who totally wants to hang out with him. Also Foxy Satan wants to hang out with Simon but he only has eyes for Jesus Christ who is not in this movie, so it is a typical unrequited love triangle where everyone is sad because they don't want what they think they want. Simon is a total…
“Vade retro.” - Simon of the Desert
This is a Mexican movie, such a really great religious satire directed by Luis Buñuel and produced by Gustavo Alatriste. This is the third movie they made together.
It’s about Saint Simeon Stylites, a 5th Century Syriac saint who was known for living 37 years on on the top of a pillar, on a small platform, in Syria.
Despite being made in 1965, Luis Buñuel still gives his surreal touch to this piece of work, as he did with his earlier works, since he was one of the most known directors of the surrealism movement, after the WW1.
It has great humorous parts that together with the surrealist touch, make this 45 minutes…
Simon of the Desert is a satirical abstract art film about religion, and as you might expect coming from the enigmatic surrealist director Luis Buñuel, there's a lot of dense material here that's difficult to unpack in a single viewing. The script is filled with theological dialogue, and the frame often offers heavily ambiguous imagery (e.g. the camera cuts from a shot of priests praying to a shot of an old woman covering anthills with sand), so to say this this is a challenging or difficult film would be an understatement. If you can get into it, however, there's plenty of ironic comedy and beautiful cinematography to keep it entertaining and prevent it from getting bogged down in thick ecclesiastical…
Temptation is Hell. Luis Buñuel’s heightened, critical and loosely-adapted take on the fable of 4th-century Syrian saint Simeon Stylites (his son portrayed here by Claudio Brook) revels in the goading of an ascetic saint by way of lechery and other earthly pleasures by Satan herself. The Devil is played with a beauteous malice by frequent Buñuel collaborator Silvia Pinal and on 3 separate occasions, she comes to test Simón by way of temptation and lust for bountiful food, as a wolf in sheep’s clothing and, finally, sensuality and seduction. The third time proves to be the charm, with the final minutes of this film being just as jolting and provocative today as when the film was first released. Simon of…
Me, an introvert: I always had a feeling hell would be something like a crowded nightclub filled with people dancing a dance called "radioactive flesh"
Simon: ''What's this dance called?''
The Devil: "Radioactive Flesh." It's the latest - and the last!''
The more of Luis Bunuel’s work I watch the more cheeky I find him to be, in fact he may be the ultimate provocateur. While much of his work takes short sharp stabs at class structures and bourgeois codes, equally it openly targets organised religion in particular the hypocrisy of Catholicism - ripe pickings indeed for a proclaimed atheist. Whilst not a lengthy film at only 45 minutes, Simon of the Desert is a fine example of the surreal and the satirical in all its glory, delivered economically.
The plot quite simply involves a deeply religious man named Simon in the 4th century residing…
Simon of the Desert deals with the idolatry of false prophets and proved to be the last of Luis Buñuel's so-called Mexican films. Loosely based on the life of abstinent fifth-century Syrian Saint Simeon Stylites, it follows Simón (Claudio Brook), the son of Stylites. Simón has spent six years, six months and six days upon an eight-meter column before advancing to a larger one to carry on his mission. Deliberately depriving himself of food and drink, he comes across as a ridiculous figure that's both hungry and thirsty. Although he can no longer remember his prayers and gets easily distracted, he's developed quite a reputation, so naturally, people come to him begging for miracles. Simón is continually harassed by The Devil, played by frequent Buñuel collaborator Silvia Pinal, who takes a myriad of forms, and the filmmaker's scorn of religion along with his affection for surrealism can be observed from beginning to end.