Synopsis
Never tell him the odds.
Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future copilot Chewbacca and encounters the notorious gambler Lando Calrissian.
2018 Directed by Ron Howard
Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future copilot Chewbacca and encounters the notorious gambler Lando Calrissian.
Alden Ehrenreich Joonas Suotamo Woody Harrelson Emilia Clarke Donald Glover Thandiwe Newton Phoebe Waller-Bridge Paul Bettany Jon Favreau Erin Kellyman Linda Hunt Ian Kenny John Tui Anna Francolini Andrew Woodall Warwick Davis Shaquille Ali-Yebuah Eben Figueiredo Aaron Heffernan Hal Fowler Damian Farrell Charlotte Louise Sema-Tawi Smart Clint Howard Dee Tails Attila Vajda Anthony Daniels Kiran Shah Fraser Kelly Show All…
Bradley James Allan Sophie Roberts Annabelle Le Gresley Simon White Dominic Fysh Andrew Richards Emma Baker John Swartz Toby Hefferman Jacob Wood Joey Coughlin Sarah Lawrence Katharina Hofmann Robert Madden Clare Glass Scott Bunce Andy Madden Mark Cockren David Keadell Ben Quirk Tom Edmondson Lori Emily Brown Aimee Hall María Herrera Badía Maria Moss Fintan O'Brien Benjamin Parry Ashley Wild
Kathleen Kennedy Jonathan Kasdan Allison Shearmur Simon Emanuel Kiri Hart Susan Towner John Swartz Will Allegra Rob Bredow
Miro Gábor Tim Wooster Perry Evans Peter Wignall Oliver Loncraine Stefan Stankowski Jamie Mills Stamos Triantafyllos
Gary Tomkins Tom Whitehead Alex Baily Stephen Swain Peter Dorme Tom Weaving Ashley Lamont Andrew Palmer Liam Georgensen Oliver Carroll Jonathan Marin Socas Oliver Roberts Patrick Harris Alex Bowens Gavin Dean Andrew Proctor Darren Tubby Matthew Kerly
Richard Bain Nigel Sumner Julian Foddy Chris Lentz Matt Shumway Louise Bertrand Joseph Kasparian James Clyne TJ Falls Rob Bredow Yanick Wilisky Greg Kegel Janet Lewin Patrick Tubach François Lambert
Richard Cetrone Bradley James Allan Mickey Facchinello Ashley Beck Christina Low Pete Ford Maria Hippolyte Sarah Lochlan Jessica Hooker Zarene Dallas Yung Lee
Star Wars: Red Cup, Ranger Solo, Han Solo, האן סולו: סיפור מלחמת הכוכבים, Star Wars - Solo, Solo - A Star Wars Story, Solo: Hvězdné války, Хан Соло. Звёздные войны: Истории, سولو: قصة من حرب النجوم, Звёздные Войны Истории. Хан Соло, Star Wars - Solo A Star Wars Story, Star Wars - Han Solo: Una historia de Star Wars, Star Wars, Episode 3.3 - Solo A Star Wars Story, Solo: Një rrëfenjë nga Lufta e Yjeve, Star Wars. Episode 3.3 - Solo. A Star Wars Story, Solo, Star Wars, épisode III.3 - Solo
Epic heroes Monsters, aliens, sci-fi and the apocalypse Westerns sci-fi, aliens, space, spaceship or earth earth, sci-fi, space, spaceship or mankind action, villain, superhero, hero or action-packed swords, adventure, battle, fantasy or fighting future, sci-fi, technology, action or technological Show All…
the connect-the-dots storytelling of these interstitial standalone movies has quickly gone from "tired" to "excruciating."
but thank the sweet lord jesus for Phoebe Waller-Bridge.
give the people L3-37: A STAR WARS STORY! it's the humane thing to do.
the train is good.
Lando is good (and *totally* pansexual)
that one cameo is… i don't even know. maybe good?
nothing else is good.
the muddy filter Bradford Young throws over everything is inexplicable.
Alden Ehrenreich is terrific young actor, I wish him nothing but success in the future, and if he’s Han Solo, I’m Captain Kirk.
A lot of people make fun of the scene where an Imperial recruiter dubs him Han Solo because he’s alone, but I literally never had a last name until I went to karaoke for the first time.
Who is responsible for lighting this movie. Please give them my number, I would like to have a word with them. There is NO WAY that the cinematographer of FUCKING ARRIVAL did this. I literally COULD NOT SEE ANYTHING THAT WAS GOING ON IN THE FIRST HOUR. What the fuck happened. Who is responsible. Other than that I have no strong emotions towards this movie. Goodnight!
Stoked that one of these is a rambunctious caper instead of an expository portentous dirge like ROGUE ONE (which incidentally has suffered with repeat viewings but that's neither here nor there). Sure, it feels kind of like one of those paperbacks you read in the 90's, but as such it bounces pretty quickly from setpiece to setpiece (despite a few too many narrative twists), and Howard is too much of a straightforward carpenter to really mess that up. And it's pretty consistently funny. Phoebe Waller-Bridgebot MVP.
But on the subject of unnecessary-but-fun, I'm really bored with the ways these insist on tying back to the main saga. There's a cameo in this that's just dire in my opinion, like the…
This movie has no need to exist but since it does I'm glad it's mostly fun
Glad this was able to join HER and Blade Runner 2049 in the trinity of men trying to fuck technology
You know what? I fuck with this movie.
Honestly, this is pretty much a buddy cop action flick where Han and Chewbacca are the two cops.
What I loved most about Solo: A Star Wars Story is it doesn't tarnish or change the Han Solo we know and love whatsoever. This is more or less a harmless fun space cowboy adventure movie (very comparable to Indiana Jones, but not as good).
Han, Lando, and Chewbacca were all great. I really enjoyed all 3 of them. This movie actually had good characters unlike Rogue One!
Despite all the reshoots and problems with production, I think this turned out quite well. It's well made, well acted, has several fun action sequences, good…
54
Against The Disney Overlords' best efforts, I liked Solo as a junky space-western fantasy and *not* as a Han Solo origin - one supposedly created so that nerds across the world could gasp at the revelation that, wow, Han got the name 'Solo' because, get this, he's a loner, or that Chewbacca is called 'chewy' because Han doesn't want to say his whole name every time. Jesus christ. It's a disaster of reconstructing and mythologizing what already has intrigue burned into its skin, but Ron Howard is such a craftsman that the whole escapade flows from set-piece to set-piece, each pronounced by Bradford Young's sublime (and ruined by multiplex projectors) usage of selective lighting and exploration of the SW…