1959 Directed by Billy Wilder
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.
Tony Curtis Jack Lemmon Marilyn Monroe George Raft Pat O’Brien Joe E. Brown Nehemiah Persoff Joan Shawlee Billy Gray George E. Stone Dave Barry Mike Mazurki Harry Wilson Beverly Wills Barbara Drew Edward G. Robinson Jr. Sam Bagley Alex Ball Brandon Beach Phil Bloom Willie Bloom Al Breneman Steve Carruthers James J. Casino Noble 'Kid' Chissell Beulah Christian Ted Christy Robert Cole Marian Collier Show All…
O atsui no ga o suki, Hamim V'Taeem, Неки то воле вруће, У джазі тільки дівчата, Некоторые любят погорячее, Hett om öronen, Certains l'aiment chaud, Manche mögen’s heiß, Džezā tikai meitenes, 뜨거운 것이 좋아, 뜨거운것이 좋아, Хтосьці любіць гарачае, Някои го предпочитат горещо, Ningú no és perfecte, Někdo to rád horké, Ingen er fuldkommen, Μερικοί το προτιμούν καυτό, Con faldas y a lo loco, Una Eva y dos Adanes, Piukat paikat, חמים וטעים, Neki to vole vruće, Van, aki forrón szereti, A qualcuno piace caldo, お熱いのがお好き, Džiaze tik merginos, Noen har det hett, Pół żartem, pół serio, Quanto Mais Quente Melhor, Unora le place Jazul, В джазе только девушки, I hetaste laget, อรชรอ้อนรัก, Bazıları Sıcak Sever, Дехто любить гарячіше, 热情如火, 熱情如火
i know everyone likes marilyn monroe but sis rlly was a full-on icon,,, a legend ahead of her time,,, when the costume designer told her that tony curtis had a nicer butt than her, homegirl pulled open her dainty little 50s top and fucking said “yeah, but he doesn’t have tits like these!” she came for my wig 40 years before i was even born. ur fave could NEVER
95/100
Hadn't seen this old favorite in maybe 15 years, and I'd forgotten some of the plot details. Specifically, as the movie raced toward the finish line, I started wondering how the hell they were gonna engineer the reconciliation between Joe/Josephine/Junior and Sugar in the few minutes remaining. Because in a contemporary comedy, an entire drippy scene, if not several drippy scenes, would be devoted to J/J/J's fervent apology, to ensure that we understand that the original J is a good person at heart in spite of his multiple deceptions and his crass reverse psychology and his pitiless driving of buxom sex symbols to sing "I'm Through With Love" and so forth. And of course Sugar would nonetheless reject him,…
jack lemmon was WAY too good at running in heels for me to believe he hadn't done it before... gay legends only
Osgood has the smile of the Joker and Jack Lemmon has the laugh of the Joker. Marilyn Monroe’s beauty is otherworldly! Obviously it’s because she is Famously Beautiful Person Marilyn Monroe but it probably helps that they shoot her and no one else in a soft glow.
There’s a lot of physicality and choreography to the first part of this film that is so impressive and typical of pre-80s films but it sort of disappears for the rest of the film. I think the Osgood/Daphne romance plot is so much more interesting than the Sue/Josephine one, and Jerry’s joy upon getting engaged is truly lovely! For all the dime-a-dozen cross-dressing comedies I’ve seen sprout from the roots of this movie,…
90
What a joy. Jack Lemmon, Tony Curtis, and Marilyn Monroe bring three of the greatest performances ever in a comedy. Nonstop delight.
