Synopsis
Every fairy tale ends.
Covers a critical weekend in the early ‘90s, when Princess Diana decided her marriage to Prince Charles wasn’t working, and that she needed to veer from a path that put her in line to one day be queen.
2021 Directed by Pablo Larraín
Covers a critical weekend in the early ‘90s, when Princess Diana decided her marriage to Prince Charles wasn’t working, and that she needed to veer from a path that put her in line to one day be queen.
Kristen Stewart Jack Farthing Sally Hawkins Timothy Spall Sean Harris Thomas Douglas Olga Hellsing Matthias Wolkowski Oriana Gordon Ryan Wichert John Keogh Amy Manson Elizabeth Berrington Jack Nielen Freddie Spry Stella Gonet Richard Sammel Lore Stefanek James Harkness Laura Benson Wendy Patterson Libby Rodliffe Niklas Kohrt
Paul Webster Steven Knight Janine Jackowski Maren Ade Pablo Larraín Jonas Dornbach Juan de Dios Larraín Jeff Deutchman Tom Quinn Ben von Dobeneck Sarah Nagel Michael Bloom Isabell Wiegand Maria Zuckerman Ryan Heller Christina Zisa Tristan Hume
รักร้าว ไดอาน่า, 英文系主任, Spensere, 스펜서, 史賓沙
Epic history and literature Humanity and the world around us Moving relationship stories historical, royalty, sumptuous, lavish or drama biography, artists, musician, emotional or songs shakespearean, kings, breathtaking, historical or battle marriage, emotion, romance, relationships or feelings emotional, emotion, sad, drama or illness Show All…
kristen stewart is again accepted into a family of blood sucking demons, this time with horrific consequences!
the way men acted when the joker came out, this is my joker except i will be so much worse
listening to Jonny Greenwood slowly earn his eventual status as one of the greatest composers in film history is one of those things that makes life just a little more bearable.
a surreal portrait of an isolated woman haunted by the burden of the past, the present, and the future. a psychological semi-horror; an antediluvian horror, a delicate horror. a decadent, hollow-eyed specter draped in the finest of pearls. how do you know what's real when you're living so high above everyone else, drowning in the yawn of the milky clouds?
but what's most terrifying about Spencer is its swirling depiction of the distinct pressure that comes with trying to rush your nervous breakdown in the bathroom because a roomful of uptight dorks are impatiently awaiting your return. aah!
there's nothing more powerful than a schizophrenic bulimic bitch who doesn't give a fuck
i like that little shimmy she does when she walks
kristin stewart was PERFECT. she truly transformed into the character, whether that character was accurate to diana or not, she put her all into becoming a princess forced to live in a family that did not want her, living in fear for what her fatal end would be.
through the lens of pablo we got to see and feel the pressures of the character, with not too much dialogue to walk the audience through each meaning and subtle stares through each character, pablo created this layer of anxiety and ambiguity over the whole movie to heighten the emotions shown through every scene.
i have no clue how accurate this portrayal…