I’m a bit over the moon here, as it’s not often when one of your favourite films is displaced. In this case, Tarkovsky’s own Solaris. I absolutely adored Solaris for its humanistic take on the hard Sci-Fi nugget of illusion and projection. While I haven’t seen the interceding Mirror, which I’ve seen here has lots of love, it almost seems like Stalker is a follow up fuck-you to Stanley Kubrick. Solaris had a humanistic take on great sci-fi questions, although it was less grand is scope compared to Kubrick’s masterpiece. Here, Tarkovsky matches Kubrick in grand scope and interpretation.

This film is impossible to interpret on a single viewing, so I’m just going to register some first takes and let…

There has been much inquiry over the past thirty five years or so as to what this film is about - the three faces of the human soul, perhaps? Spirituality? Mortality?

"How would I know the right word for what I want? How would I know that actually I don't want what I want? Or that I actually don't want what I don't want? They are elusive things: the moment we name them, their meaning disappears, melts, dissolves like a jellyfish in the sun."

As with the rest of Tarkovsky's masterpieces, there isn't much of a point in trying to write a review for Stalker. Any attempt to put your thoughts on this film into words will remove something special,…

This is the Tarkovsky I've been waiting for.

As conceptually interesting as Solaris and visually stunning as Andrei Rublev were, there was something missing; a connection to the story and characters that sucked me into the world, that made me desperate to discover the 'why' instead of just going along for the ride. Here, in Stalker, I got my wish - an apocalyptic fairy tale with characters I could understand and a true sense that Tarkovsky is, indeed, one of the greats and can produce a film I instantly want to return to; love at first sight. After a good night's sleep, my brain is still bouncing off the walls about it, so instead of coherency, here's two of the…

"You dream of one thing, but you get quite another."

Stalker is incredibly complex and fairly impenetrable on first watch, so as a result this will be a combination of surface level analysis and dubious conjecture. Needless to say, this is exactly my brand of science fiction: it's heady, it's beautiful, it's unique. It's a film I don't expect I'll fully grasp without reading external analysis, and even then it's so open for interpretation that I hope to never have a completely solid idea of what it means. As the Stalker says, "Hardness and strength are death's companions."

The most obvious thing about Stalker is that it's gorgeous. It presents a dystopian post-industrial vision of Russia which lies in the…

I can't help but think that I would follow every rule the Stalker gave me just to get to the Room. My deepest darkest desires fulfilled, what fantasies return again and again to me, I would fight for these, I would walk whatever line they made me walk. A healthy, happy world is worth the price of following a few rules, even if I do not necessarily understand them. The toxic ideas of freedom set forth by slave owners and rapists have left a legacy of lies in our nation wherein we constantly strive to be "free" while being held in--and reinforcing--chains of poverty, sickness, and violence; this idea that we should have the right to hate-speech or private property…

It's refreshing to see an art house type film rely less on confusing you with its subtext and symbolism and more rely on conveying mood and getting a feel for the journey its characters go through. It may be borderline tediously slow, but in a way, that's kinda what I like about it.

It's oddly relaxing in a way, with how Tarkovsky takes his time slowly easing you into everything, especially in regards to the still and controlled camera work, and the lack of any major music and sound cues, making any that does appear throughout it's nightmarishly long runtime mean a lot more in the long run.

There's something refreshing as well about how the big wish maker macguffin…

this completes my "most fans on letterboxd" list, a goal i have been working for several months toward.

i can't tell you what really went on during this movie, i don't think anyone can. its depiction of time and space around us, beyond the scientific level is not meant to be understood or comprehended. its meant to be viewed as something the characters experience. the confusion and the lack of cuts throughout the movie are all there for a purpose. unlike any other movie i've ever seen, it plays out like a bomb with a long fuse. the fuse is set off in the beginning of the movie, but takes a while for it to finally go off. characters beat…

Andrei Tarkovsky’s 1979 film Stalker is unlike anything else I have ever seen. It is beautiful, deep, interesting and full of so much symbolism and imagery. There is not much I can say about this film that is new or original but I’m going to say it all anyway. I love this film for the amazing world it creates, its characters and its ideas. Not many experiences can match the fascination I feel when watching this film.

The film has an incredibly unique setting and premise, creating a world that is developed yet still full of intrigue and mystery. We know so little about this city and the Zone but the small details we get through the dialogue, visuals and…