Synopsis
The saga is complete.
The evil Darth Sidious enacts his final plan for unlimited power -- and the heroic Jedi Anakin Skywalker must choose a side.
Star Wars: Episode III - Revenge of the Sith
2005 Directed by George Lucas
Cast
Hayden Christensen Ewan McGregor Natalie Portman Ian McDiarmid Samuel L. Jackson Jimmy Smits Frank Oz Anthony Daniels Christopher Lee Keisha Castle-Hughes Silas Carson Jay Laga'aia Bruce Spence Wayne Pygram Temuera Morrison David Bowers Oliver Ford Davies Ahmed Best Rohan Nichol Jeremy Bulloch Amanda Lucas Kenny Baker Peter Mayhew Rebecca Jackson Mendoza Joel Edgerton Bonnie Piesse Jett Lucas Tux Akindoyeni Matt Rowan Show All…
Director
Additional Directing
Producers
Executive Producer
Writer
Casting
Editors
Cinematography
Additional Photography
Production Design
Art Direction
Set Decoration
Special Effects
Visual Effects
Stunts
Composer
Sound
Ben Burtt Dennie Thorpe Jana Vance Ellen Heuer Teresa Eckton Tom Myers Matthew Wood Chris Scarabosio Paul 'Salty' Brincat Frank Rinella Kevin Sellers George Peterson Jr.
Costume Design
Makeup
Hairstyling
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Alternative Titles
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Genres
Themes
Epic heroes Epic history and literature Monsters, aliens, sci-fi and the apocalypse swords, adventure, fantasy, battle or fighting earth, sci-fi, space, spaceship or mankind sci-fi, aliens, space, spaceship or earth historical, epic, battle, historic or fought martial arts, kung fu, choreography, cool or action-packed Show All…
Popular reviews
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100/100
It's all so tragic, isn't it? "War!", the opening crawl proclaims, but Lucas captures battles in multiple spaces besides the physical, evoking primal feelings through ancient tragedy and the void of conflicting ideologies haunted by personal agenda. While the conclusion of Attack of the Clones - highlighted by a smash cut from the early Empire to Anakin and Padme's secret wedding - sings to where our heart lies, Revenge of the Sith orchestrates a symphony of broken, corrupt civilization and shattered relationships around a protagonist who we cannot help. His arc - the inevitable shift into Darth Vader - is set in stone, a myth passed down by the fans of its creator, but it isn't celebratory or portrayed…
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"so this is how liberty dies... with thunderous applause."
shit, this still rules. the grimmest, fullest, most cogent and expressive realization of lucas' anti-war sentiments (a president starts a war with a rebel group he funded to trick the population and consolidate more power? sure hope that never happens) and interest in the tragedy of good people trapped in political institutions. the fatalistic plotting that on previous watches read to me as simple franchise mechanics play with far more dread and regret than i remembered and the pure open-wound, operatic mood of the final hour—the apocalyptic anguish and heartache of mustafar in particular but also the horror gestures that lace anakin's paranoia/wielding of political power—is easily his finest achievement as a director.
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it’s crazy how this movie was bad for a decade, and then it just like....became good
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“I did not choke her, it's not true! It's bullshit! I did not choke her! I did not! Oh hi, Obi Wan”
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