It's FAST. Not quite strobing, but almost. It's non-representational, but perhaps not altogether. It's monochrome, but not always. It's unique, but with certain poly-rhythmic patterns from masters upon whose shoulders Takashi Makino stands. It's pixelated, but not solely. Centered, but that depends. Scratched, but not mishandled. Temporally fluctuating, but not exactly beginning to end. High Contrast, but only when it suits itself. Cosmic, but laughingly so. Uber-digital, but blown-up from postage stamps. Communicative, but reliant upon the audience to say so. Both a universe and a single subsumed quantum particle of light. Mysterious, yet a gaudy advertisement for mystery. A riddle being hammered on a holographic anvil. Rarely existent, mostly unqualified data being ordered around by the allegorical tyranny of…