Synopsis
This dead end town just got a lot deader.
An awkward, unemployed man who can talk to the dead teams up with a rebellious bartender to find the vengeful ghost that's been terrorizing their town.
2014 Directed by Richard Bates Jr.
An awkward, unemployed man who can talk to the dead teams up with a rebellious bartender to find the vengeful ghost that's been terrorizing their town.
when kat dennings hits him in the dick and he goes "that felt good"?? big mood. i also want kat dennings to hit me in the dick
this movie has:
-matthew grey gubler as an eccentric glorified ghost whisperer who is frequently called a faggot
-a really really really halloweeny spooky vibe and it’s great
-originality
-kat dennings as my goth idol
-busty latina booties
-my favorite director who i haven’t seen any of their movies aka john waters <3<3<3
-none of the factors of excision. id have no idea they were from the same director if i didn’t know but that’s great because directing range right?? both movies are great although i prefer excision!!!
-a really cute ending
-silly humor that i actually laughed at
-the soska twins pop in for literally one second and no reason at all
good movie and gubler sure is cute
they really dedicated an entire scene to specifying that matthew gray gubler's character was straight...naïvely believing this would stop me from calling him a gay icon during every other scene
"I can't tell you what a pleasure it's been masturbating to you" is the best line in all of cinema
bisexual culture is watching this film and not knowing who you'd rather date out of matthew gray gubler and kat dennings
It is important to ask oneself: Do I want to see a faux-early 90's John Waters-style comedy about the origin story of a supernatural detective agency in which Ray Wise plays a creepy dad in a tracksuit and Kat Dennings hits a lot of creepy dudes in the genitals with a crowbar and these things may or may not intersect? It is also important to know how one feels about moving-back-in-with-the-parents-after-college-and-going-back-to-one's-crummy-hometown-whilst-unemployed comedies because that is supremely relevant here as is one's tolerance for a lot of race-based and sexual humor which never really becomes offensive* (at least not to me, your mileage might vary) so much as it becomes a semi-tedious textural element. This is pretty much exactly the sort…