1977 Directed by Dario Argento
From the moment she arrives in Freiberg, Germany, to attend the prestigious Tanz Academy, American ballet-dancer Suzy Bannion senses that something horribly evil lurks within the walls of the age-old institution.
Jessica Harper Stefania Casini Flavio Bucci Miguel Bosé Barbara Magnolfi Susanna Javicoli Eva Axén Rudolf Schündler Udo Kier Alida Valli Joan Bennett Margherita Horowitz Jacopo Mariani Fulvio Mingozzi Franca Scagnetti Renato Scarpa Serafina Scorceletti Giuseppe Transocchi Renata Zamengo Alessandra Capozzi Salvatore Capozzi Diana Ferrara Cristina Latini Alfredo Raino Claudia Zaccari Dario Argento Giovanni di Bernardo Daria Nicolodi Marina Pierro Show All…
서스페리아, Suspiria: In den Krallen des Bösen, サスペリア, Flykten från helvetet, Odgłosy, Суспирия, Суспірія, Alarido, 坐立不安, Sóhajok, Suspiria - tappavat huokaukset, Suspirija, Chok House
actors: $2000
hair/makeup: $300
dubbing: $1050
lighting: $12 million
special effects: $750
someone who is good at the economy please help me budget this. my family is dying
dario argento: *bashes me over the head with a neon light while Goblin is screaming in my ear*
me: wow.............thank you so much
sara accidentally jumping into a pile of razor wire when it's right in front of her big mood
that $70 blu-ray was worth every goddamn penny to see this movie in its truest form, the horrific dubbing especially
“I had no idea you were so strong-willed. I think that when you make up your mind about something, nothing will change it for you. My compliments.”
Sometimes there’s a man...no, wait, wrong movie. Start over.
Sometimes, things don’t work out, and you just can’t quite put your finger on the reason. You meet a person, and you share a great many interests—you like many of the same movies and television programs and podcasts, you both enjoy cooking, you have similar senses of humor. By all rights, you should be fast friends. And yet...something is missing. Sometimes there’s a man, and he’s not the man for his time and place. He doesn’t fit right in there. And yet you know…
Watching Suspiria makes me forget that anything else exists. I forget every color that isn't on screen, every piece of music that isn't playing, and most importantly every other film that has ever been made.
It's a nightmare. A perfect, impossible, neon nightmare that makes me lose myself. And I love every goddamn second of it.
is demented ballet, like, a subgenre of regular ballet? and if so, will someone teach it to me? and if so, will you make sure the lighting is dope when you murder me afterwards?
dario argento wants to fuck the primary colors and u know what, i think we should let him
For a long time, I thought there was no way I could possibly write about my favorite film of all time because I felt like there was nothing I could say that would do it justice. Then I realized, you know, that it doesn’t really matter what I say about it because this film speaks for itself. It is a perfect movie in every way and everything about it is well, perfect. The direction, the camerawork, the score, the lighting, everything is absolutely sublime and there’s really no higher praise that I can think of to give to a movie than to call it literal perfection so what I’m going to do here is simply list a few of the scenes…
Great atmosphere and color, the cinematography is top notch. And the gore was great, but it suffers from “70’s cheese”
We really declined as a species when we decided horror movies weren't allowed to be colorful and instead had to look like wet concrete. I will never forgive that.
Double Featureee: Lady Snowblood followed by Suspiria. The colors are everything, the death scenes are iconic. I also learned a lot about Italian cinema during this film, hm. Glad I watched it, but ultimately it didn’t have too much of an impression
Müziğin filme çok dengesiz yayıldığını düşünüyorum. Özellikle miksleme konusunda bir sıkıntı var. Daha filmin başında ben bir korku filmiyim diye bağıran rahatsız edici (ama gerçek anlamda) müziğe hiç gerek yoktu bence. Filmde mekan tasarımı, sahnelerin renk yönetimi ve bunlarla ilişki olarak yaratılan atmosferi çok beğendim. Filmi izlerken o güzel mimari içindeki yalnızlığı ve güvensizliği dibine kadar yaşıyorsunuz.
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