Synopsis
Time is an illusion.
Two New Orleans paramedics' lives are ripped apart after encountering a series of horrific deaths linked to a designer drug with bizarre, otherworldly effects.
2019 Directed by Aaron Moorhead, Justin Benson
Two New Orleans paramedics' lives are ripped apart after encountering a series of horrific deaths linked to a designer drug with bizarre, otherworldly effects.
Anthony Mackie Jamie Dornan Katie Aselton Alexia Ioannides Ramiz Monsef Bill Oberst Jr. Betsy Holt Shane Brady Kate Adair Matthew Underwood Carl Palmer Martin Bats Bradford Sam Malone Rhonda Johnson Dents Sophie Howell Natasha Tina Liu Jean-Pierre Vertus Walker Babington Lawrence Turner Hawn Tran Gregory Bright Devyn A. Tyler Aaron Groben Divine Prince Ty Emmecca
Sergio Villegas Zachary Sieffert William Tanner Sampson Mike Nami Jr. Styles Cooper Austin Kenyon Helen Cho Anthos Reid Lauff Alyssa Moran Charles Wiggins Khader Ahlerimi
David K. Nami Dustin L. Bankston Jody Honold Collin Nami William Nami Sam Ruchti Colby Roberson Jordan Nami JoJo Honold
Pierre Buffin Olivier Cauwet Francois Cote-Paquet William Banti Justine Paynat-Sautivet Antoine Cosset Yann Austin Liliane Chu Charles Dizier Lucile Jules Gaston Aurélien Marquaille Duy Anh Nguyen Quentin Ramasseul Nicolas Ndame Angela Mikrut
Синхронный, 药命时空, Synchronic. Los límites del tiempo, Грань времени, 싱크로닉, Synchronic: Los límites del tiempo, 藥命時空, Межа часу, 同步, Sincrónico, Paratemporal, סינכרוניק, Senkronik, Đồng Bộ, Synchronic - Zeit ist eine Illusion, Синхроник, Laika šķautne, Sinchroninas, シンクロニック, متزامن
Monsters, aliens, sci-fi and the apocalypse Thrillers and murder mysteries Intense violence and sexual transgression Horror, the undead and monster classics Imaginative space odysseys and alien encounters Thought-provoking sci-fi action and future technology Action-packed space and alien sagas Chilling experiments and classic monster horror Twisted dark psychological thriller Show All…
Honestly way better than I thought it’d be. Some great performances and a really cool concept. In fact I wish it was either a bit longer or more fleshed out because the concept had so much potential. Also deserved a bit more of an interesting approach visually. But regardless, an entertaining time.
There used to be a comedian named Louis CK who had a standup bit about the historical upside of being white. “Here’s how great it is to be white,” he would say. “I could get in a time machine and go to any time and it would be fucking awesome when I get there. That is exclusively a white privilege — Black people can’t fuck with time machines.” Justin Benson and Aaron Moorhead’s dense and dingy sci-fi thriller “Synchronic” is, among far too many other things, the story of a Black man who fucks with a time machine. Complications ensue.
This isn’t the first film to broach the subject (“Men in Black III” and Martin Lawrence’s “Black Knight” are just…
Tight movie about how getting fucked up on gas station drugs is the least selfish thing you can do because you’re gonna die anyways and nobodies tryna hear your bullshit
Moorhead and Benson’s latest escapade, and the first I’ve seen from the pair, Synchronic, is completely mind-boggling. The story follows two New Orleans paramedics' whose lives are ripped apart after they encounter a series of horrific deaths linked to a designer drug with bizarre, otherworldly effects.
Both Justin Benson and Aaron Scott Moorhead have quickly made a name for themselves in recent years with their takes on the sci-fi genre being much more vibrant and interesting then others that have come before. The story itself, being about a drug that sends its users back in time for seven minutes, grapples with you as it takes you through its chronology mazes, turning what might otherwise have been an out of the…
It's bad enough that the premise here is so distractingly implausible and nonsensical, but to put it in the service of this bland "gather ye rosebuds" platitude crap is borderline insulting. Could have just watched any given Quantum Leap episode. A big disappointment from these guys.
Stale. The closest thing to a Christopher Nolan failure that Christopher Nolan didn’t make.
It’s sad this is definitely not gonna get the attention it deserves. It’s nothing crazy, but it’s a really well made science fiction thriller. I will say that the second half dragged a bit, but most of the movie is filled with really awesome effects and a pretty original take on time travel.
I always look forward to a new Benson & Moorhead outing and they haven't let me down yet. Their fourth feature, and the third they've brought to LFF, is a time-travelling buddy designer-drug-conspiracy jam more in the spirit of 80s capers than intensely cerebral fare like Primer. Not to say it isn't as intelligently written and idiosyncratic as all their films to date, but it's definitely on the lighter side of weird.
As with their previous features, good use is made of post-production effects to give it the appearance of being a bigger budget film than it actually is. It looks very good - not just in terms of the effects; the cinematography is assured throughout. A lot rests on the…