Synopsis
Two men share an odd friendship while they care for two women who are both in deep comas.
2002 ‘Hable con ella’ Directed by Pedro Almodóvar
Two men share an odd friendship while they care for two women who are both in deep comas.
Leonor Watling Rosario Flores Javier Cámara Darío Grandinetti Mariola Fuentes Geraldine Chaplin Pina Bausch Malou Airaudo Caetano Veloso Roberto Álvarez Elena Anaya Lola Dueñas Adolfo Fernández Ana Fernández Chus Lampreave Helio Pedregal Paz Vega Fele Martínez Carmen Machi Agustín Almodóvar Carlos García Cambero Esther García Lola García Fernando Iglesias
Vía Digital Good Machine El Deseo Atresmedia Sony Pictures Classics Warner Bros. Entertainment España
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i hated this. i try not to hate movies but honestly i truly, truly hated this one. i can't even properly analyse it yet because i'm too angry and revolted but i will say this: musings on love and human nature and loneliness are not only wrong but outright dangerous when they're bred with misogyny so subtle and vile it goes mostly undetected. it deeply disappoints and frankly terrifies me that so many people think this is a masterpiece.
update: i've let this sit for almost a day now & i just can't bring myself to change my rating or be more considerate of this film's alleged virtues. i understand what almodóvar is attempting to get at and i can respect…
Ese toque original y sensible que tiene Almodóvar para retratar al amor en sus formas más inusuales y retorcidas, creo que no lo tiene nadie más. Es una película única, jugada, incómoda, pero muy emotiva. Quede maravillada.
Aprovecho para hacer CATARSIS (un poco spoileadora): hay gente que le da un mal puntaje solo por el hecho de tener un personaje que comete un acto terrible. Se quedan con la palabra "violación" en el vacío y se pierden de mirar todo el contexto. Creen que contar esa historia significa necesariamente justificar ese delito. Yo no lo veo para nada así. Se trata de un acto terrible, sí, pero colocado en una trama que te hace poner en tela de juicio todo…
There is so much I did not like about this film that I find it hard to discuss it without just frothing at the mouth. I can see where Almodovar was trying to push buttons and asks questions, to bend gender expectations, and to take a complex and difficult subject to task, but he made a horrible decision in his storyline that will not work with me no matter what. In short, I'm talking about the rape, and the treatment of it. I cannot wrap my head around it in such a way that makes it palatable, and as someone who seeks transgressive cinema for the sake of discomfort, I know the difference between interesting transgression and wrong transgression. This…
The second and greatest film in what I like to refer to as Pedro's Trans-Gender trilogy. With All About My Mother you begin with an incapacitated/dead male and continue with a story that is almost exclusively female. With Talk To Her this is reversed and it is the females who are incapacitated for a male story. With Bad Education, you are dealing exclusively with male characters.
This film is a beautiful and touching exploration of loneliness. All power to Pedro for being able to make sympathetic a character who has done despicable things. The implementation of the silent film sequence is a thing of great beauty as is the fact that The Academy chose to honor this film with Best Original Screenplay. Oh and the dance sequences too. So much beauty in this film. Even midst the darkness.
talk to her stumped me. it’s the first time i’ve been completely unsure of what to rate something, alternating between one and four stars, searching for some semblance of myself in the divided reviews. i sat there for a few hours after the film finished, dissecting every aspect of it, asking myself how did i feel in this moment? what is the audience supposed to feel? what is almodóvar’s aim here? is his voice critical or supportive? and even if i’ve come to the conclusion that i think almodóvar’s approach to some of the themes here is borderline problematic, i don’t think i’ve ever critically thought about a film this intricately before, and that deserves praise in itself. after all, isn’t that the ultimate goal of any filmmaker?
a very uncomfortable watch; almodovar seems to want to remind us of the neverending demands of male entitlement (you can be next door to dead and men will still expect the world from you), but ultimately his sympathy for the male characters and their increasingly reprehensible actions just ends up feeling sleazy.
odio a los hombres en cualquier idioma :)
of fucking course every positive review of this movie on this site is written by men absolutely creaming themselves over the Totally Deep Meaning of this film when it's really about how women would just be so much sexier if we all just shut up and had no control over our bodies
A beautifully constructed film that rests on a terrible individual who does awful things. He takes a woman and empties her of any identity so she can be his. He violates her. And we're supposed to feel bad for him. We don't understand his situation, how he came to this place, or why he's never felt love in any form. The opaqueness of his existence and the strength of Javier Cámara's performances seem to really resonate with most audiences.
I didn't buy it for a second.
"You woke her up"
Fuccccckkkkk thaaaaaaat shit.
Pride Month Challenge - Film 1: A film directed by Pedro Almodóvar.
Twisted in the best way possible. Almodovar exquisitely combines shock, tenderness, humor, and sexuality like no one else, constantly showcasing the bizarre nature of inner emotion. He tells the story of men who are able to connect to women whilst they’re silent and unable to communicate, allowing them to express themselves in rather personal ways. It may be controversial, understandably so, but that just adds to the fun of it.