81/100
No doubt I'm forgetting something, but it's hard to think of another film with a structure like this: clear narrative throughline plus multiple tangents related solely by theme. Seeing it during its original U.S. theatrical run, at age 19, expanded my sense of what a movie can be; three decades later, the playfulness still delights, even if not all of the blackout sketches fully satisfy. (The one involving dueling con men is barely even food-related.) It's also clearer to me now that the main story, cannily marketed by New Yorker Films as a "noodle Western," really owes much more to American sports movies and their training montages. Applying the genre's tropes to ramen preparation is an inspired idea that's…