All grown up in post-apocalyptic 2018, John Connor must lead the resistance of humans against the increasingly dominating militaristic robots. But when Marcus Wright appears, his existence confuses the mission as Connor tries to determine whether Wright has come from the future or the past -- and whether he's friend or foe.
Christian Bale Sam Worthington Moon Bloodgood Helena Bonham Carter Anton Yelchin Common Zach McGowan Bryce Dallas Howard Jane Alexander Michael Ironside Ivan G'Vera Dorian Nkono Chris Browning Beth Bailey Victor J. Ho Buster Reeves Jadagrace Kevin Wiggins Greg Serano Bruce McIntosh Po Chan Babak Tafti Treva Etienne Michael Papajohn Dylan Kenin Chris Ashworth Diego Joaquin Lopez Greg Plitt Omar Paz Trujillo Show All…
Bob Beher Ron Bartlett Roland N. Thai John Roesch David Lee Fein Lee Gilmore Ai-Ling Lee Doug Hemphill Alyson Dee Moore Jason W. Jennings Cameron Frankley Mary Jo Lang Mark Ulano
Columbia Pictures The Halcyon Company Wonderland Sound and Vision Warner Bros. Pictures Mandate International Intermedia Films
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Monsters, aliens, sci-fi and the apocalypse War and historical adventure High speed and special ops Epic heroes future, sci-fi, technology, action or technological earth, sci-fi, space, spaceship or mankind destruction, disaster, earth, scientific or mankind sci-fi, aliens, space, spaceship or earth action, explosives, exciting, action-packed or villain Show All…
A chilling glimpse into the post-apocalyptic future of 2018, a year so bleak Christian Bale can no longer raise his voice above a gruff whisper.
Y’know, this isn’t terribly directed. Visually, it has its moments. The long takes really bring you inside the chaos of a firefight with a bunch of cranky cyborgs. Sure, it’s impossible to square these versions of the characters with the ones in previous movies, but that’s pretty much par for the course in Terminatorland.
I think the bigger issue is Bale is totally checked out, Worthington’s anguished “Nooooooo!”s rival Darth Vader in Revenge of the Sith for pure melodramatic goofiness, and the one interesting character (Anton Yelchin’s Kyle Reese) is very minor. It’s a robotic movie through and through — so much so I could almost see a contrarian arguing for it on that basis as an accurate reflection of a world ruled by machines.
clearly thinks it's doing Terminator//Mad Max but no one involved has any sort of imagination. its version of these characters and the new ones its invented are as flat and boring as the nondescript, cg steel gray aesthetic it seems to mistake for vision and design. still, not the worst action scenes i've ever seen and some of the practical fx are impressive.
Everything I loved about The Terminator and Terminator 2 : Judgment Day was absent from the film! It seriously lacked the gut wrenching tension I've come to know and love! I guess they decided to swap it out for dull, boring and depressing! If that's what they were aiming for then baby they NAILED IT!
I mean come on! WTF were they thinking.. swapping out Arnold Schwarzenegger for a fake image of said star was a blatant act of heresy! If the parties involved had any honor at all they'd commit mass Hara-Kiri!
@ hollywood please free sam worthington. he was the biggest star of 2009 and we havent seen him in 7 years. you cant keep someone locked in a studio for that long not letting him out without making 9 avatar sequels its illegal
Only do something special with your character when you can commit to it. What's the point of making the hero a Terminator if it has no other effects than physical?
This is Christian Bale's fiercest performance yet, though. And I don't mean the movie but the leaked set recording.
even more unnecessary than the previous installment. watching this thing contort itself to somehow both fit with established mythology and still be in any way surprising or urgent is sincerely disheartening.
count me among the two or three remaining McG defenders though. say what you want about the quality of his films' narratives, the guy shoots the hell out of his action sequences (yes, even in the stupid but inexplicably hated CHARLIE'S ANGELS movies). here you get a minimum of handheld, with long CG-assisted takes and balanced-but-deep scope compositions in frames that snap together like Lego bricks in the editing.
Loud, intense & bombastic but also downright stupid, hollow & soulless, Terminator Salvation is the fourth instalment in the franchise that was already a full circle with two films, before it got dented by an unnecessary third chapter. And although this sequel might be the worst of the series so far, it still makes up for a more entertaining flick than Rise of the Machines.
Set 14 years after Judgment Day eradicated most of mankind, the story follows a death row inmate who donated his body for medical research before his execution decades ago yet happens to be alive in the post-apocalyptic future where he finds himself caught in the war between humans & machines and learns about his upgraded identity after coming…
More of a Terminator prequel than sequel, precisely because it takes place in the future before the events of The Terminator — well no, but uhm, you get what I'm saying. It's post Judgement Day, the war against the machines is on, and John Connor is the all grown up resistance leader he was always destined to become. But that reality is about to be severely altered as the (young) Kyle Reese, who John is meant to send back in time to become his father, is captured by Skynet,
Rise of the Machines not featuring Linda Hamilton is one thing, but Salvation thinking it can just pretend to be a Terminator movie without Arnold Schwarzenegger is downright laughable (let's not…
I'd rather give birth to an elephant than watch this putrid abomination again. It must be the worst attempt at film-making in human history. The worst attempt in the animal kingdom would surely trump it. English alone cannot encapsulate its failure. I'd have to invent new words to accurately describe just how poor and atrocious it is.
Zero stars.
The best thing to come from this movie is the audio of Christian Bale’s on set freak out. It’s hilarious, and very quotable. Other than that, this movie sucks ass.
