Synopsis
Based on the adventures of the hero Tex from the comic strip by Bonelli. An interesting spaghetti-western/fantasy movie that blends magic and mythology with six-guns and stagecoaches.
1985 ‘Tex e il signore degli abissi’ Directed by Duccio Tessari
Based on the adventures of the hero Tex from the comic strip by Bonelli. An interesting spaghetti-western/fantasy movie that blends magic and mythology with six-guns and stagecoaches.
Tex, o Pistoleiro, Tex Willer e os Senhores do Abismo, Tex et le seigneur des abysses, Tex e o Senhor do Abismo, Tex y el señor de los abismos, Django - Das Geheimnis der Todeshöhlen, Tex und das Geheimnis der Todesgrotten, Tex és a mélység ura, Tex Willer i Władca Otchłani
Giuliano Gemma once again reunites with the director responsible for his A Pistol for Ringo (1965) star turn, Duccio Tessari, to tackle the immensely popular Bonelli/Gallepini western comic, Tex. Tessari's earlier peplum scripts usually incorporated fantastical elements, so the weird west is in full effect as Tex tackles a mummification dart shooting Aztec cult. Gemma will be aided by William Berger as Kit Carson. More adventure than western, Tex comes across as a tribute to serials - not unlike Raiders of the Lost Ark (1981), but lacks the big set pieces or creative flourishes to do right by its source material. The end result is less Indiana Jones and more in the vein of SCTV's Six Gun Justice.
There are…
Based on several adventures of the wildly popular Italian comic book character Tex Willer, Tex and the Lord of the Deep was simultaneously an attempt to revive the spaghetti western and a pilot for a hoped-for RAI TV series about the character. Published for the first time in 1948, the Tex series was the most successful comic in Italian history, and its title character — a man of uncompromising principles who was both a Texas Ranger and a friend to indigenous people (at one point in the series, he becomes chief of all the Navajo) — was a beloved figure, not just in Italy but also around the world (the series' following in Brazil is, reportedly, particularly big).
There had…
In reading sakana1's excellent piece on this film, I was surprised to learn what great expectations had been invested in it by the Italian film industry. Because the overwhelming impression I get from it is that no one involved seemed to give much of a shit about what they were doing. Certainly not Duccio Tessari, who seems to be making the most desultory attempt possible in filming and editing this material. There's a very noticeable lack of close-ups. So much of this film is shot in wide angle - it's often quite difficult to make out who is even talking, and this has the effect of making it almost impossible to get involved in the story. It's a bit like…
Italian film industry last grasp adapted from the Bonelli western comic and directed by Duccio Tessari. It is more adventure than spaghetti with some fantastical elements and curious production design. There’s a couple of good action beats early on, but the film’s energy come and goes and by the time it gets into the deep of the title things are started to get very tired. Giuliano Gemma doing Tex should be a lot more memorable than this.
Temple of Doomy western with insta-mummifying blow darts and a hooded Lord of the Deep who shambles around magma vents in a cave mumbling to an old Aztec god, but otherwise mostly unremarkable. Directed by Duccio Tessari and starring Giuliano Gemma, but it's no Return of Ringo obviously.
Per l'affetto verso i personaggi gli posso dare una stella e mezzo, ma è inutile parlare tanto di una cazzata grottesca e piena di perle trash.
Voglio dire, ma di tante storie capolavoro proprio quella dei Maya magici, eh? E perché non la storia di Tex contro l'alieno?
Spaghetti western with a spritzing of the mystical and the fantastic. Nah.
WoFF minus Malone, Nick