2017 Directed by Michael Showalter
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
Kumail Nanjiani Zoe Kazan Holly Hunter Ray Romano Anupam Kher Zenobia Shroff Adeel Akhtar Bo Burnham Aidy Bryant Kurt Braunohler Vella Lovell Myra Lucretia Taylor Jeremy Shamos David Alan Grier Ed Herbstman Shenaz Treasury Rebecca Naomi Jones Kuhoo Verma Mitra Jouhari Celeste Arias Shana Solomon Jeff Blumenkrantz Linda Emond Holly Chou Andrew Pang Alison Cimmet Lawrence Ballard Shunori Ramanathan Spencer House Show All…
Barry Mendel Judd Apatow Jeremy Kipp Walker Kumail Nanjiani Ben Browning Glen Basner Emily V. Gordon Annie Tan
La gran enfermedad del amor, 빅 식, The Big Sick - Il matrimonio si può evitare... l'amore no, Il matrimonio si può evitare... l'amore no
"That's why I don't go on the internet. You go there and people hate Forrest Gump."
Oh shit I hope they don't find letterboxd
i never thought i'd say this but ᶜᵃⁿ ᴵ ᵍᵉᵗ ᵘʰʰʰʰ adopted by holly hunter and ray romano
i thought that holly hunter had already blessed mankind enough with her voice but then she went and ended every racist frat boy in existence? she is too generous!
I may be breaking his time nerd rules by logging films I've seen after midnight as the previous day
holly hunter is like 4 feet tall and weighs a single pound but she was ready to turn that frat guy into hamburger. fucking icon.
80
The distinction here is 'truth'. This is a real tale, written about real personalities and events and moments, but The Big Sick is imbued with a gentle understanding of what makes itself effective for the silver screen. It's achingly aware of the story's limitations, the balancing act between comedy and drama, and its gradual moral resolve. But above all else, the film never attempts a certain level of vérité or overt naturalism. It moves and plays with a tremendous amount of grace, especially in an early relationship montage which moves like a little snapshot of liquid feeling, and it commits to the realities of the situation, but never to a fault.
It's even more interesting structurally. The first-half reeling…
what if you cheered during my standup routine and i told you that your heckling really threw me off and you replied that you weren’t heckling, you were just doing a ‘woohoo’, and i informed you that it’s actually a common misconception but heckling doesn’t always have to be negative and you challenged me by asking if shouting ‘you’re amazing in bed’ would be a heckle and i said that yes, it would just be a realistic heckle and then you
